Explore Artists

Aashika Tamang is a Nepali actress and model known for her expressive presence in music videos, fashion projects, and emerging film roles. She appears in the Nepali movie Sushree, adding to her growing screen portfolio. Rising from social media visibility, she is recognized for her natural charm, confident performances, and strong connection with young audiences across digital and cinematic platforms.

Tanka Chaulagain is a Nepali writer, theatre director, theatre coach, and actor known for his disciplined stage practice, character‑focused storytelling, and long-standing contribution to Nepal’s contemporary theatre movement. Active across writing, directing, actor‑training, and performance, he has shaped numerous productions through his emphasis on emotional truth, ensemble collaboration, and grounded dramatic technique.His work reflects a deep commitment to theatre pedagogy — guiding emerging actors in voice, movement, improvisation, and script interpretation — while his direction highlights clarity, rhythm, and socially rooted narratives. As an actor, Chaulagain is recognized for expressive delivery and physical precision, making him a versatile presence in both classical and modern Nepali theatre.

Rupa Upadhyay is a Nepali actress and glamour model best known for her Miss Nepal 2003 pageant titles and her work in films, short movies, and commercial modeling. In the Miss Nepal 2003 competition, she won Miss Photogenic, Miss Natural Talent, and finished as 2nd Runner Up, which established her as a prominent face in Nepal’s fashion and media scene.Following the pageant, she transitioned into acting, appearing in Nepali films and short films, including international shorts like “Revenge Aka Saw XVI” (2011) and “Carousel of God” (2011). In Nepali cinema, she has taken on supporting and character roles, often aligned with glamour, urban lifestyle, and modern female characters, strengthening her identity as both an actress and model.As a model, Rupa has worked in editorial, fashion, and beach/bikini shoots, frequently featured on Nepali entertainment and glamour portals. She has also appeared in TV, events, and brand‑linked programs, including judging and special‑guest roles, reflecting her long‑running presence in the entertainment industry.

Suleman Shankar, popularly known as IKU, is a Nepali comedian and film actor recognized for creating one of Nepal’s most iconic comic characters and contributing across multiple departments of Nepali cinema. His career, active since 2007, spans acting, story writing, dialogue writing, lyric writing, and film production—making him one of the most multi‑disciplinary artists in the industry.He gained nationwide fame through the film IKU (2009), where he served as actor, presenter, story writer, and lyricist, establishing the “Iku” character as a cultural phenomenon in Nepali comedy cinema. He later expanded the franchise with IKU (Back Again) (2012) as actor, producer, story writer, and dialogue writer, further strengthening his identity as a creator‑performer.Beyond the IKU series, Suleman Shankar has acted in several commercial films, including Hawaldar Suntali (2015), Soldier (2014), Sambodhan (2015), Firke (2018), Race (2019), Biru Race (2019), and the recent action film 12 Gaun (2024). His roles often blend physical comedy, rural humor, and exaggerated character traits, making him a distinctive presence in Nepali mainstream cinema.

Prakash Ojha is a Nepali singer, actor, and multi‑role film artist known for his contributions to Nepali cinema as a playback singer, music director, lyricist, and performer. His career spans film acting, music direction, songwriting, and co‑production, making him one of the few Nepali artists with credits across multiple creative departments.Deep‑search results confirm his active years from 2006–present, with verified credits in four Nepali films, including acting roles, playback singing, music direction, and lyric writing. His work reflects versatility across modern Nepali film music and character‑driven acting.As an actor, he has appeared in films such as One Way (2015) and Daiko Sasurali (2010), where he also contributed musically. His music direction and playback work in Daiko Sasurali (2010) highlight his dual identity as both a screen performer and a behind‑the‑scenes creative contributor. He also wrote lyrics for the film Dhurbe (2006), marking his entry into Nepali cinema through songwriting.Beyond films, he remains active in digital media through music videos, comedy serials, and Nepali series such as Aama Bina Ko Gaun, where he appears as a performer and creator.

Mukunda Thapa is a Nepali film artist known for his strong screen presence in action, antagonist, and character roles across more than two decades of Nepali cinema. Active since 2000, he has appeared in 21 feature films, becoming a familiar face in commercial action films and ensemble dramas. His roles often portray tough, intense, or authoritative characters, contributing to the visual identity of early‑2000s Kollywood action cinema.Mukunda Thapa’s career includes notable films such as Lootera (2015), Kalapani (2011), Arabpati (2011), Swabhiman (2010), The Flash Back (2010), Jwalamukhi (2008), Sapoot (2007), Hami Taxi Driver (2006), Maidaan (2005), and Majdoor (2000). His recurring casting in action‑driven films reflects his reliability in physically demanding roles and his ability to deliver impactful antagonist performances.

Tara Prakash Limbu (born Tara Bahadur Jabegu, 29 November 1980, Sukhani, Jhapa) is a leading Nepali singer, music director, and playback composer known for shaping modern Nepali film music with his melodic, emotionally rich, and contemporary sound.He began performing at age 6 in local gatherings, developing early musical confidence before making his professional debut as a composer with Papi Manchhe 2. His breakthrough came with the hit “Baby I Love You” from Maya Ko Barima, which established him as one of Nepal’s most promising young composers.Tara Prakash rose to national prominence through major film projects such as November Rain (2014), Classic (2015), Bir Bikram (2016), and Homework, delivering chart‑topping songs including “Sare Sare”, “Hare Hare Jindagi”, “Tal Tal”, and “Najik Hudaichhu”. His compositions blend modern pop, sentimental melodies, and cinematic orchestration, making him one of the most influential music directors of the 2010s and 2020s.

Mausami Gurung is a celebrated Nepali music artist and playback singer known for her sweet, melodic voice, versatile genre range, and influential presence in Nepali pop and film music since 2003. Born on 4 March in Kolkata, India, she grew up in an army family, moving frequently and performing in school and cultural programs from a young age. Her early musical foundation came from Gandharva Sangeet Kala Kendra, after she moved to Nepal in 2001 and passed the Radio Nepal voice test, formally entering the professional music field.Her debut album “Unforgettable” (2060 BS) introduced her to Nepali audiences with hits like “Parelimai Chhau Ki Kaso” and “Mero Maan”, establishing her as a rising pop artist. She later delivered evergreen songs such as “Chyangba Oi Chyangba”, “Kanchi Hey Kanchi”, “Machi Marana”, “Jhumke Phooli”, “Ma Roop Hu”, “Ma Nepali”, and “Unko Muskan”, becoming one of the most recognizable female voices of the 2000s pop era.As a playback singer, she has recorded songs for over 14 Nepali films, including Itihas, Jwalamukhi, Paley Dai, Aagni, and more, making her a consistent presence in Nepali cinema. Her album “Mahasus” (2012) further strengthened her musical identity with popular tracks like “Sheetal Sheetal” and “Naya Mausam Cha”.Beyond music, she has voiced major commercial advertisements (Fair & Lovely, Dabur, Rajhans, Pepsodent, Frooti) and performed internationally in Belgium, Hong Kong, New York, and the United Kingdom, expanding her global audience. Known for her emotional delivery and strong stage presence, she remains an influential figure in Nepali pop and playback music.

Badri Lamichhane is a Nepali film editor known for his extensive work in feature films, post‑production, and visual effects, active in the Nepali film industry since 2006. His editing career spans more than 16 films, with credits in major commercial and social‑drama projects. He is recognized for his clean narrative pacing, technical precision, and ability to shape emotional rhythm through editing.He began his professional journey in post‑production with NFDC (Nepal Film Development Board), where he worked for nearly nine years (2000–2009), gaining deep experience in film workflows. He later served as a film editor at Kindle Cine Studio (2009–2013) and eventually expanded his career internationally, working as a Visual Editor at Bodhi HD (USA) from 2018 onward. His global experience reflects his adaptability to modern digital editing platforms and evolving cinematic styles.Badri’s filmography includes notable titles such as Kathmandu (2010), Jiwan Mrityu (2008), Giraftar (2008), Akaal (2014), Aadhi Bato (2014), Samaya (2013), Soldier (2014), and Jaun Hida Pokhara (2015). He has also contributed VFX work to films like Maanish (2006) and served as a Chartered Accountant for projects such as Ho Yehi Maya Ho (2015) and Ram Balaram (2010)—showing his multidisciplinary involvement in Nepali cinema.

Dayaram Pandey is a Nepali lyricist known for his active contribution to modern Nepali music, film songs, and cultural programs, recognized for his clean lyrical style and growing leadership presence in Nepali creative organizations. He has written songs for films, independent music videos, and thematic projects, including contributions to works such as “Manle Manko Sath Payo” (from Dui Pal) and participation in national thematic songs like the WYF Nepal 2025 theme song.His public presence extends beyond songwriting: he has been elected to leadership roles such as Coordinator of the INAS Asia Region, reflecting his influence in diaspora arts networks and Nepali cultural associations. He is also known for hosting and producing literary‑musical programs such as “Ghazalko Mahfil – A Dayaram Pandey Show,” which blends poetry, music, and cultural storytelling.

Chetan Sapkota is a veteran Nepali music director and composer known for his influential contribution to modern Nepali film music, emotional storytelling through melody, and a career spanning more than two decades. Born on 3 Asoj 2033 BS in Sindhupalchok to Govinda Prasad Sapkota and Dil Kumari Sapkota, he grew up in a musical environment that shaped his early passion for composition.His professional breakthrough came as a film music director, earning credits in major Nepali films such as Fanko (2016), Bhaag Saani Bhaag (2016), Rahadani (2016), Good Luck (2016), and Sakas (2017)—a body of work that established him as one of the most consistent composers of his generation. His versatility is reflected in roles beyond composition: story writer, lyricist, playback singer, and executive producer, making him a multi‑disciplinary creative force in Nepali cinema.Chetan’s melodic style blends traditional Nepali sentiment with modern arrangements, influencing younger music directors and shaping the sound of contemporary Nepali films. His work earned him the Bindabasini Music Award (2072) for Best Music Director, recognizing his impact on the industry.

Anjana Gurung is a prominent Nepali singer and live performer whose career spans modern, folk‑pop, adhunik, and playback music, with a catalogue that includes film songs, solo albums, and high‑profile live concerts. She has recorded over a thousand songs across genres, becoming a familiar voice in Nepali cinema and contemporary music. Her breakthrough came with her solo album Kali Sundari, which helped establish her as one of Nepal’s respected female vocalists.She has contributed playback vocals to films such as Chautari and Batuli, and her film songs include widely recognized titles like Ghumai Ghumai MD (Hami Taxi Driver) (2009), Salaijo (Gorkhe Salai) (2009), Sir Phool (Basana) (2008), Badanam Bhaye Ma (Anurodh) (2012), Gaurav Lagchha (Bacha Kasam) (2012), Jalse Mutu (2022), Aankhaima (2023), and Chudi Chhama Chham (2024).A trained musician with a senior diploma in music education, she is known for her versatile vocal texture—capable of soft emotional delivery, strong folk projection, and expressive stage performance.

Maharaj Thapa (born 24 September 1976) is one of Nepal’s most prolific and versatile music arrangers, credited with over 3,500 music arrangements across film and non‑film projects. He has arranged music for 100+ Nepali films, contributing background scores, orchestration, and modern–traditional fusion arrangements that shaped the sound of contemporary Nepali cinema.His notable hit arrangements include Purano Dunga, Sagarsari Chokho Maya, Marne Kasailai Rahar Hudaina, Simple Simple Kanchhi Ko, Chaubandima Patuki, Timi Royeko Pal, Darshan Namaste, and Kammar Mathi Patuki — widely recognized across radio, television, and digital platforms.He has also contributed as Music Director, Lyricist, and Co‑Producer in select films, including Prem Diwas (2019), Gun Gun (2018), and Manle Manlai Chuncha (2014).

Suman Singh is a Nepali film actor known for his work in commercial cinema, romantic drama, and youth‑centric storytelling. Active across films, music videos, and television appearances, he is recognized for his expressive screen presence, confident dialogue delivery, and ability to portray both romantic and emotional characters. His performances often highlight modern Nepali youth narratives, family drama themes, and mainstream entertainment styles.

Rameshwor Karki is a Nepali cinematographer known for his work in feature films, music videos, and commercial visual production. Active across the 2010s and 2020s, he is recognized for his clean framing, natural‑light composition, and steady camera movement suited to emotional and realistic storytelling. His work spans romantic dramas, social narratives, and youth‑centric films, contributing to the evolving visual language of contemporary Nepali cinema.

Umesh Khadka is a Nepali film artist known for his work across commercial cinema, character roles, and supporting performances. Active in the 2000s and 2010s, he has contributed to multiple feature films, bringing a grounded, relatable presence to family‑drama, social‑story, and emotional narrative genres. His screen identity is shaped by sincerity, expressive delivery, and the ability to portray everyday Nepali characters with authenticity.

Arjun Karki is a Nepali action actor, stunt performer, and adventure specialist known for bringing real Himalayan intensity to film, expeditions, and tactical training. Active across action cinema, survival documentaries, and brand collaborations, he combines martial arts mastery, high‑altitude expedition experience, and professional stunt choreography to deliver authentic physical storytelling on screen.He has completed 25+ Himalayan expeditions, performed and choreographed 50+ action sequences, trained 500+ individuals in combat and survival, and appeared in 12+ action films, documentaries, and international productions. His work spans film, adventure tourism, tactical workshops, and high‑engagement brand campaigns.

Sunil Dutta Pandey is a Nepali film actor active since 1997, known for his roles across commercial, social‑drama, and action cinema. With 29+ films credited as an actor, and additional work as a director, producer, and audiographer, he is one of the multi‑disciplinary contributors of the 2000s Nepali film era. His notable works include Avatar (1997), Sukumbasi (2000), Purnima (2001), Hami Tin Bhai (2004), Bhagwan Sabaiko (2010), and Sakas (2017).

Ranju Lamichhane is a Nepali actress and model active since the mid‑2000s, known for her roles in mainstream social‑drama and action‑drama films such as Basai, Aawaz, Aandhi Tufan, Dar, Ko Hola Mero Mayalu, Ladaiko Lahure, Barsha Aakash Ganga, Pal Palma, and Mukti. Her screen identity blends expressive emotional acting with strong visual presence, making her a familiar face in commercial Nepali cinema.Widely recognized by audiences as “Sweety” from her appearance in the popular comedy serial Tito Satya, she later expanded her public role beyond entertainment, serving as a district secretary in the Sikkim Democratic Front (SDF)—a rare transition from film to political engagement.Her career began with Basai/Basain (2005–2006), followed by a steady run of feature films through the late 2000s and early 2010s. She has also worked as a legal advisor in the film Rakshyak (2010), reflecting her multidisciplinary background.

Karna Shakya (born 1943) is a celebrated Nepali writer, environmentalist, and conservationist whose literary works—Soch, Khoj, Dolpo, Look Down Not Up, Kosh, Ma Sakchhu—blend personal philosophy, exploration, and social consciousness. A pioneer of Nepal’s hospitality and eco‑tourism sector, he founded the KGH Group and contributed significantly to conservation, including the establishment of Chitwan National Park.

Sareeta Shri Gyawali is a Nepali TV host, media personality, and Miss Nepal 1997 second runner‑up, known for her two‑decade career in television presenting and program production. Active across Nepal Television, Kantipur TV, AP1, and Galaxy 4K, she is also a motivational speaker, life coach, and founder of WeChar Creations, contributing to media, social awareness, and women’s leadership.

Shivani Singh Tharu is a Nepali model, Miss Nepal participant, and former VJ known for her dynamic presence in television and media. She built her career as a presenter, journalist, and writer, later gaining recognition as the author of Kathmanduma Ek Din. Active in broadcasting and literature, she remains a prominent voice in Nepal’s creative and media landscape.

Pramod Karki is a Kathmandu‑based director of photography, cinematographer, and filmmaker known for his work on Nepali reality shows, television, music videos, commercials, and feature films. He has served as DOP for Ko Banchha Crorepati (KBC Nepal), Himalaya Roadies (Seasons 1–3), Ainaa, and The Poet Idol, and as cinematographer on films including Mala and Tara: The Lost Star, the latter screened at the Cannes International Film Festival market.

Pramod Dhungana is a prolific Nepali lyricist active since 1993, credited for writing songs in more than 50 Nepali films across three decades. His work spans classic, modern, and commercial cinema, contributing lyrics to notable films such as Aama (1996), Daijo (1996), Gunyo Cholo (1997), Bandhan (1997), Chandal (1998), Army (2000), Daag (2000), Sahar (2001), Upahaar (2003), Kurukshetra (2004), Baramala (2005), Aandhi Tufan (2007), Ghatak (2008), Sargam (2011), Shasan (2011), K Ma Timro Sathi Banna Sakchu (2012), Lamphoo (2018), Kahi Katai (2018), Jhingedau (2022), and Upahaar (2024).He has also collaborated repeatedly with major Nepali music directors such as Shambhujeet Baskota, sharing credits in films like Shasan (2011), Chino (2011), Ko Aafno Ko Birano (2005), and Apaharan (Ekadeshma).Alongside lyric writing, he has occasionally worked as an actor, screenwriter, and singer, showing versatility within the Nepali film industry.

Shree Ram Pudasaini is a senior Nepali film actor and a former executive committee member of the Nepal Film Artists Association. Active in Nepali cinema for several decades, he has contributed to feature films, television serials, and numerous music videos, establishing himself as a committed and respected figure in the industry.He has acted in several Nepali films, including Commander (2020) and the historical drama Bhimdatta, where he appeared alongside artists such as Nawal Khadka and Nisha Adhikari. His verified filmography also includes earlier works like Bhul (1996) and Dasgaja (2011), reflecting a long creative journey across different eras of Nepali cinema.Beyond acting, Pudasaini has been active in organizational leadership within the Nepal Film Artists Association, serving in various roles and contributing to the welfare and representation of artists. In recognition of his service and dedication, he has been honored with the association’s “Seva Samman.”He has also directed and acted in multiple television serials and has appeared in several notable music videos, further showcasing his versatility and long-standing commitment to the performing arts.

Kalyan Ghimire is a Nepali film actor, producer, and production designer active in Nepali cinema since 1998. Over the years, he has appeared in several mainstream commercial films and has contributed behind the scenes in story writing, screenplay, and production design. His acting credits include films such as Anshabanda (1998), Nagad Narayan (1999), Mero Hajur (2001), Maan Mutu Ra Maya (2003), Sasu Nanda Bhauju (2010), Sasu Sasura (2011), Birtako Chino (2011), Shreeman (2011), and Good Luck (2014).Beyond acting, Ghimire has played key creative roles in the film Shreeman (2011), serving as producer, story writer, screenplay writer, and production designer, and later worked as production designer for Madhumas (2013). His long‑running involvement across multiple departments reflects his versatility and steady presence in Nepali cinema.

Suzta Shrestha is a Nepali TV host, model, and performing artist, known for her expressive presentation style and growing presence across television and digital media. She has hosted entertainment‑based programs and appeared in various modeling, lifestyle, and promotional projects, building a strong following through her confident on‑screen personality.She is also a performer on the comedy show Comedy Durbar, where she appears in light‑hearted segments and character‑based performances. While she is not a traditional comedian in the sense of stand‑up or sketch‑comedy specialization, her natural humor, timing, and expressive reactions have made her a recognizable face within the show’s ensemble.Suzta continues to expand her media presence through hosting, modeling, digital content, and collaborative entertainment projects.

Dinesh Raj Regmi is a Nepali keyboardist and live performer, best known as the keyboard player of Nepathya, Nepal’s most influential folk‑rock band. As part of the group’s core lineup, he contributes to the band’s signature blend of folk melodies and contemporary rock arrangements, performing in major national and international concerts.Nepathya’s global tours — including performances across the US, Australia, Japan, Israel, Germany, Finland, India, and Europe — have positioned Regmi as one of the most widely traveled Nepali keyboardists of his generation.His role in the band supports Nepathya’s evolving sound, from classic hits like “Resham,” “Bhedako Oon Jasto,” and “Jomsom Bazaarma” to their newer live arrangements. Regmi’s playing style emphasizes atmospheric layering, folk‑inspired textures, and dynamic stage performance, making him a key contributor to the band’s enduring popularity.

Subarna Thapa is a Nepali film and theatre artist, internationally recognized for his work as a director, actor, and writer. Based in France since 1999, he works across cinema and theatre, shaping stories that blend Nepali identity with global artistic sensibilities. His creative foundation comes from theatre, which continues to influence the emotional depth and realism of his films.Thapa made his feature‑film debut as a director with Soongava: Dance of the Orchids (2012), Nepal’s first mainstream LGBTQ+‑themed film, which earned international acclaim and festival screenings. He went on to direct notable films including Fanko (2016), Fils (2014), Bato Muniko Phool 2 (2016), and the critically praised The Secrets of Radha (2022).As an actor, he has appeared in films such as Soongava (2012), Goodbye Kathmandu (2017), The Puppet (2021), and several short films, showcasing his versatility across dramatic and character‑driven roles.Thapa is also active in theatre arts, conducting workshops, mentoring young filmmakers, and collaborating on stage‑based storytelling projects. His long‑term association with the British Council’s “Script to Screen” initiative highlights his commitment to nurturing new Nepali voices in cinema.Today, Subarna Thapa stands as one of Nepal’s most respected cross‑disciplinary artists, bridging film, theatre, and international cinema with a distinct narrative voice.

(कुमार नगरकोटी) is one of Nepal’s most influential contemporary fiction writers, known for his surrealism, magical realism, and highly experimental narrative style. Born on 2 December 1974 (17 Mangsir 2031 BS) in Lalitpur, Nepal, he has established himself as a bold, genre‑bending storyteller whose works challenge traditional Nepali literary forms. He began his literary journey in 1999 with an English poem titled “Sorry Buddha, I Cannot Follow You.” At age 21, he published his first story “Nikash” in Sahakalam Sahitya, a publication that typically featured only established writers—marking his early recognition. Nagarkoti’s debut book “Mokshanta: Kathmandu Fever” (2011) introduced his signature eccentric style. He followed it with “Fossil” (2013), “Aksharganj” (2014), “Mistika” (2015), “Ghatmandu” (2016), “Docha” (2017), “Gya” (2018), and the experimental “Kalpa‑Grantha” (2021), which contains 63 experimental tales including typographs, postcards, and screenplays. His novel Gya was shortlisted for the Madan Puraskar (2075 BS), and Kalpa‑Grantha was shortlisted for Madan Puraskar (2077 BS). He also won the Barsha Pustak Puraskar (2013 AD) for Fossil. Nagarkoti has also written acclaimed plays such as “Coma — A Political Sex” (2015) and “Bath‑Tub” (2019), both staged at Shilpee Theatre under the direction of Yubraj Ghimire. He made a cameo appearance in the Nepali film “Lal Purja” (2018). He describes himself not as a writer, but as a “fiction designer.”

Sohan Manandhar is a Nepali post‑production specialist known for his extensive work across major Nepali television reality shows. He began his career at Image Channel HD, building a foundation in broadcast editing before moving into high‑visibility national franchises. He served as Visual Editor for The Voice of Nepal and The Voice of Nepal Kids, shaping the visual rhythm and emotional pacing of the shows. At AP1 TV, he worked as Post‑Production Head & Chief Video Editor, and later led the Post‑Production and Editing Department for Nepal Idol Season 1, contributing to the show’s signature visual identity.

Sushil Baniya is a Nepali camera person working in television and media production, recognized for his behind‑the‑lens contribution to studio and field‑based shoots. His work focuses on multi‑camera setups, reality‑show coverage, and broadcast‑ready visual capture. Known for steady technical execution and reliable on‑set coordination, he supports directors and editors by delivering clean, consistent footage that strengthens the overall visual narrative of each production.

Karan Raj Karki is a Nepali music director, composer, and lyricist known for his work across films, television, and modern Nepali music. He serves as the Official Music Director of The Voice of Nepal, contributing to the show’s musical identity, arrangement quality, and overall sound design. Active since 2014, he has directed music for feature films including Prem Diwas (2019), Chi Musi Chi (2018), and Ichchha (2015), and began his credited career as a lyricist in Stupid Mann (2014). His compositions and songs appear widely on digital platforms, and he continues to collaborate with leading Nepali artists and production houses.

Dewasish Tamang is a Nepali lead guitarist, musician, and session performer known for his expressive playing style, technical clarity, and versatility across modern, pop, fusion, and instrumental music. He gained national visibility as a finalist in the Deepak Moktan Guitar Competition (DMGC) 2018/19, where he delivered multiple high‑level performances using ESP/LTD guitars and professional multi‑effects processors. According to the competition profile, Dewasish works as a freelance musician and session guitarist, has been involved with Nepal Idol and The Voice of Nepal as a backup musician, and has toured across Nepal and abroad.

Nakul Gurung is a Nepali musician, guitarist, and bass guitarist known for his versatility across live performance, studio sessions, and contemporary band music. He performs as the Bass Player for Sujan Chapagai & The Infinity, contributing groove‑driven basslines and dynamic stage energy to the band’s modern Nepali sound. Nakul has also been associated with major Nepali reality shows, including The Voice of Nepal and The Voice Kids, where he supports live arrangements as part of the instrumental lineup.

Amir KC is a media professional, investor, and filmmaker associated with Nepal's entertainment industry since 2067/2068 B.S. Beginning his journey as an unseen investor, he has gained extensive experience in film production, direction, and content development. Currently, he serves as Line Producer for the upcoming films Saarathi (featuring the comeback of Uttam Pradhan and Niruta Singh) and Ratyauli (directed by Muskan Dhakal, starring Bijay Baral and Pooja Sharma), both scheduled for release in 2083 B.S. He is also developing Prapanna, a 90s-based love story web series, along with an Untitled Project, a suspense-thriller web series focused on introducing and promoting emerging talent. Additionally, he has worked on numerous music videos as an Associate Director and Assistant Director. His vision is to create impactful stories while contributing to the growth of Nepal's film and digital entertainment industry.

Mahendra Budhathoki is a Nepali film actor and director active in the Nepali film industry for several years, recognized for his contributions to commercial films, supporting roles, and character portrayals. He has worked both in front of and behind the camera, gradually establishing himself as a dependable performer and a filmmaker with a grounded approach to storytelling.

Loreto Singh is a celebrated Nepali playback singer whose career spans film music, modern pop, and devotional Christian recordings. She is widely recognized for her versatile vocal range, seamlessly moving between cinematic playback, traditional melodies, and spiritually themed compositions. Over the years, she has collaborated with prominent Nepali artists and composers .Her film playback contributions include songs in Gunyo Cholo (1997), Maute Dai (1999), Muskan (2001), and Shahidgate (2002), where she served as a playback singer. She is also known for notable folk and modern tracks like “Aakashaiko Kalo Badal” and “Yani Maya,” along with devotional works such as “Basyo Basyo” from Gunyo Cholo and multiple Christian gospel releases.Her discography extends to digital platforms as well, featuring songs such as “Kina Ma Dekhi Tadha,” “Aanshule Bhijyo,” “Timi Mero,” “O Prabhu Malai,” “Ukalima,” “Pir Paryo,” “Abiral Jeevan Ka Yatraharu,” “Yeti Pyaro,” and “Yo Aankha Bolchha.”Loreto Singh’s ability to connect emotionally with listeners—across romantic, folk, and devotional genres—has established her as a multifaceted and enduring voice in Nepali music.

Surendra Shah is a veteran Nepali action director and filmmaker whose career spans more than two decades, contributing to some of Nepal’s most notable commercial action films. His work covers a wide range of roles including action direction, choreography, story writing, production management, music direction, and film direction, making him one of the most multi‑disciplinary technicians in the industry.He has served as action director in major films such as Ranabhumi (2009), The Commando (2007), Karan Arjun (2005), Chahanchu Ma Timilai Nai (2001), Majdoor (2000), Chalchitra (2000), Kancha (1999), Agni Pariksha (1997), Gunyo Cholo (1997), and Bhariya (1996).Beyond action design, he has directed and written films including Karan Arjun (2005) and Thule (2003), and contributed to multiple departments in Mutu (2014) and Thooli (2014).

Prabesh Bantawa is a former Nepali dance choreographer whose career spanned more than a decade, contributing to influential films such as Deuki, Mitjyu, Rahar, Gunyo Cholo, Balidan, Bishalu, Dautari, Anshabanda, Chandani, Saait, Manai Ta Ho, and The Commando. Active from 1993 to 2007, he helped define the movement style of Nepali film songs through narrative‑driven choreography, folk‑inspired formations, and expressive cinematic dance design.

Aman Pratap Adhikary (ज. 22 December 1973 / 7 Poush 2030 BS) is a Nepali television director, producer, presenter, and reality‑show creator known for Himalaya Roadies, Ko Banchha Crorepati, Kripa Unplugged, Ainaa, and The Poet Idol. Active since 1998, he has worked with Nepal Television, Kantipur TV, Terai TV, AP1 HD, Himalaya TV, and Prime Times HD. Son of renowned poet and lyricist Kshetra Pratap Adhikary, he is widely recognized as “Don Director” for his influential role in modern Nepali reality television.

Suraj Subba Nalbo is a Nepali film director, writer, and producer known for his work in commercial and youth‑focused Nepali cinema. Active since the early 2010s, he gained recognition with films such as Ma Ta Timrai Hoon, Bhaire, Love You Baba, Katha Kathmandu, and Saayad 2, establishing himself as a director who blends emotional storytelling with contemporary urban themes. His films often explore youth psychology, relationships, and social transitions, supported by clean visual presentation and accessible narrative style. Nalbo has also contributed to Nepali cinema as a writer and producer, making him one of the versatile creators in modern mainstream filmmaking.

Ranjita Gurung is a Nepali actress and model active since 2002, known for her roles in films like Pratighat, Pari, Jangabaaz, Gorkha Paltan, Dasgaja, and Ho Yehi Maya Ho, and for her prominent presence in Lok Dohori and modern Nepali music videos. She is widely recognized for her expressive screen presence, elegant traditional looks, and consistent appearances in hit folk and modern songs. Her work spans cinema, music videos, stage performances, and social media, where she remains active and connected with audiences.

Rajesh Ghatani is a Nepali film producer and storyteller known for his work in Bato Muniko Phul (2010) and Biteka Pal (2014), where he contributed as producer, story writer, and lyricist. Active since 2010, he has collaborated with leading Nepali actors including Rajesh Hamal, Yash Kumar, Babu Bogati, and Suraj Subba Nalbo. His film Biteka Pal remains his most recognized project, credited for its emotional narrative and popular soundtrack.

Shristi Bhattarai is a Nepali actress active in contemporary film and digital storytelling, known for her expressive screen presence and emerging roles across youth‑focused cinema and social‑themed narratives.

Dev Kumar Shrestha is a Nepali film director, producer, and choreographer active since the mid‑1990s, known for directing a diverse range of Nepali feature films including Godhuli, Ekata, Badmas, Luv Sab, Lalteen, Happy New Year, Nepte, The Karma, and Bakamfushe Maya. Beginning his career as a chief assistant director in the 1990s, he transitioned into full directorial work with Godhuli (2003) and steadily built a portfolio that spans commercial entertainers, social dramas, and modern romantic films. His multi‑role involvement—direction, story, screenplay, choreography, and production—positions him as one of the versatile contributors to contemporary Nepali cinema.

Deepak Bajracharya is a Nepali cinematographer whose career spans more than two decades, recognized for shaping the visual language of modern Nepali cinema through his work on critically acclaimed films such as Jhola, Woda Number 6, Bhor, Lamphoo, Paani Photo, and Mahapurush. Active since the early 2000s, he has contributed to over 25 films, consistently delivering grounded, character‑driven cinematography marked by natural lighting, cultural texture, and strong narrative alignment. His filmography includes major commercial releases as well as award‑winning social dramas, establishing him as one of Nepal’s most reliable and respected cinematographers.

Manaraja Nakarmi is a Nepali musician and music director known for his extensive work in Nepal Bhasa, Nepali Aadhunik, Bhajan, and national songs. Active since the 2010s, he has composed and arranged music for numerous songs across genres, including Nepal Bhasa classics, modern Nepali pop, devotional Krishna and Buddha bhajans, and patriotic works. His credits include compositions for artists such as Mohan Shakya, Asha Nakarmi, Bishwo Nepali, Mira Rana, and Kumar Kancha, along with multiple self‑produced releases on his YouTube channel.

Firoj Bajracharya is a Nepali musician known for his versatile contributions to modern Nepali music through performance, composition, and studio collaboration. Active across live shows and recording projects, he represents the contemporary generation of artists blending traditional Nepali musical roots with modern arrangements and stage presentation.

Asta Man Maharjan is a Nepali action director and stunt specialist known for designing dynamic, high‑impact action sequences across more than 50 films, contributing significantly to the evolution of modern action choreography in Nepali cinema. Active since the early 2010s, he has worked on major titles such as Talakjung vs Tulke, Lukamari, Chapali Height 3, Mahanagar, Pardeshi 2, and Katha Kathmandu, establishing himself as one of the most reliable action directors of his generation.

Kishor Kayastha is a pioneering Nepali photographer and visual artist whose career spans over three decades, beginning with his early explorations in Bhaktapur using a box camera from his family’s photo studio. A self‑taught artist, he rose from darkroom practice and childhood experimentation to become one of Nepal’s most influential photographers, known for blending tradition with contemporary artistry. His panoramic works—especially the acclaimed Mustang: Nostalgia – A Two‑Decade Odyssey—push the boundaries of landscape photography, offering immersive meditations on time, culture, and impermanence. Kayastha’s exhibitions since 2001 have established photography as a serious art form in Nepal, and his experimental series continue to inspire a new generation of photographers.

Mohan Raj Adhikari (born 28 December 1989, Jhapa, Nepal) is a Nepali TV producer and director with experience across major networks. He worked as Production Incharge at Araniko Television, Executive Producer at Kastamandap Television, and later joined Nepal Star and ADY Production as a VDO Director. He is also a Producer at AP1TV and has served as Assistant Director for Nepal Idol, contributing to reality‑show production and studio direction.

Viplob Pratik is a Nepali poet, lyricist, novelist, and editor known for his socially conscious poetry, modern Nepali lyrics, and editorial contributions to contemporary literature. Active since the late 1990s, he has published acclaimed poetry collections, novels, and lyrical works that explore themes of identity, politics, human emotion, and cultural transformation. His writing blends sharp observation with lyrical depth, establishing him as a distinctive voice in modern Nepali literature.

Hritik Singh Thakuri is a Nepali camera person and television camera operator from Dhangadhi, known for his involvement in major Nepali reality shows, studio productions, ENG field shoots, and digital media content. Active since 2014, he has worked with Kantipur TV HD, Nepal Idol, and AP1 Television, contributing to high‑movement reality formats, multi‑camera studio setups, and outdoor challenge shoots. His technical discipline and reliable teamwork make him a strong part of Nepal’s modern production ecosystem.

Rubin Kumar Shrestha is a Nepali musician, composer, and multi‑instrumentalist best known as a core member of the folk‑instrumental ensemble Kutumba since 2004. Specializing in ID music, background score, and thematic sound design, he contributes to Kutumba’s signature sound through traditional Nepali instruments, experimental arrangements, and contemporary fusion. His work spans live performances, studio recordings, documentaries, cultural projects, and background scoring for visual media, making him one of the prominent creative forces in Nepal’s instrumental music scene.

Upendra Subba (born 26 September 1971, Angsarang, Panchthar) is a leading Nepali poet, lyricist, writer, and filmmaker, widely respected for his role in shaping modern Nepali literature and cinema. A co‑founder of the influential literary movement Srijanshil Arajakta (Creative Anarchy) with Rajan Mukarung and Hangyug Agyat, Subba’s work blends Limbu cultural identity with contemporary social themes.His acclaimed literary contributions include poetry collections such as Dada Mathi Ko Gham Jun Ra Gadtirka Raake Bhut Haru (2002), Hongrayo Bhog Ra Pangra (2004), Kholako Gita Ra Purana Kavitaharu (2013), and the celebrated short‑story collection Lato Pahad (2014), which later inspired the film Keba Kokma.In cinema, Subba is known for his long collaboration with director Ram Babu Gurung, contributing to hit films including Kabaddi, Kabaddi Kabaddi, and Kabaddi Kabaddi Kabaddi. He made his directorial debut with Jaari (2023), earning multiple national awards for screenplay, story, and direction. His recent works include Mansarra (2024) and Jaari 2 (2025).He has received major honors including the Padmashree Sahitya Puraskar for Lato Pahad and multiple national film awards for writing and dialogue.

Bishnu Ram Baniya is a Nepali VFX artist, freelance graphic designer, and creative media professional known for his work across television, digital production, and event branding. He works as a Creative Manager at Mindworks Media & Events Pvt. Ltd., leading visual design, motion graphics, and creative direction for commercial and broadcast projects.Baniya has also served as a Graphics Specialist at Himalaya TV, contributing to on‑air graphics, show branding, and visual packaging. As a Co‑founder of Tauwa Studio, he is involved in film publicity design, motion graphics, and digital content creation. Alongside studio work, he continues to operate as a Freelance Motion Graphic Designer & VFX Compositor, collaborating with production houses, event companies, and media networks in Kathmandu.

Nikesh Khadka is a prominent Nepali film director, music video director, and television producer known for shaping the modern visual style of Nepali entertainment. Active for more than a decade, he has directed hundreds of music videos, multiple television shows, and several commercial visual projects, earning a reputation for polished cinematography, strong storytelling, and high‑production aesthetics.He is widely recognized for his work with leading Nepali singers and actors, consistently delivering visually striking projects that blend cinematic framing with contemporary editing. As a TV producer, he has contributed to developing youth‑focused and entertainment‑driven programs, helping elevate broadcast production quality in Nepal.