Deepak Bajracharya

Pankaj Singh is a versatile Nepalese director,cinematographer, editor, ad/documentary maker, and assistant director, whose dynamic presence and creative expertise have made a significant impact on the Nepali music video industry. His journey into industry began with his debut in the 2019 music video "Chhoder Janeko Maya" as Cinematographer, which marked the start of a steadily rising and diverse career in filmmaking. Since stepping into the industry, Karki has continually showcased his multifaceted talents, contributing across various domains of film production. However, he is particularly recognized for his role as a highly skilled and accomplished Assistant Director, having worked on more than 25 Music Video and 1 film Pratibairam as Line Production. His ability to coordinate complex productions, manage creative and logistical challenges, and support directorial vision has made him an invaluable asset on set.

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Dirgha Gurung is a talented Nepali cinematographer known for his exceptional work in the Nepali film industry. He has contributed to various notable films, showcasing his skills and creativity behind the camera. Career Highlights Notable Films: Dirgha Gurung has worked on several acclaimed films, including "Jatra" (2016), "Soul of the Commando" (2022), and "Muglan" (2005). Cinematography: His work in films like "Chhakka Panja 2" (2017) and "Daal Bhat Tarkari" (2019) has been highly praised. Dirgha Gurung continues to inspire many with his dedication to the art of cinematography and his contributions to the Nepali film industry. 🎥