Dirgha Gurung

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.

Deepak Bajracharya is a Nepali cinematographer whose career spans more than two decades, recognized for shaping the visual language of modern Nepali cinema through his work on critically acclaimed films such as Jhola, Woda Number 6, Bhor, Lamphoo, Paani Photo, and Mahapurush. Active since the early 2000s, he has contributed to over 25 films, consistently delivering grounded, character‑driven cinematography marked by natural lighting, cultural texture, and strong narrative alignment. His filmography includes major commercial releases as well as award‑winning social dramas, establishing him as one of Nepal’s most reliable and respected cinematographers.