Dirgha Gurung

Sanjay Lama (Sanjay Lopchan Tamang) is the well known cinematographer in Nepali Film. Lama was born on 27 August 1977 in Lalitpur Nepal. Lama is the best cinematographer of Nepali film. He has been the recipient of 15 best cinematographer Awards Including three National Film Awards, two NFDC National Film Awards, NEFTA Film Awards, Kamana Film Awards, Inas Film Awards, Global Nepali Film Awards, Box Office Film Awards, FAAN Awards and LG Film Awards. After working on various technical roles for a long time, Lama has debuted as a cinematographer in the movie Kasle Choryo Mero Man in 2000. Since then, he has been successful in various movies like Bato Muniko Phool, Sayaad, A Mero Hajur 3, Moun, Dreams, Summer Love, Masan etc.

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Starting from his early career in the late 1980s, Deepak Dhakal emerged as a dedicated Nepali cinematographer known for his steady contribution to commercial and social‑themed Nepali cinema. He made his debut as a cinematographer with Sindoor and went on to work in more than 20 feature films, shaping the visual tone of 1990s and early‑2000s Nepali filmmaking.Dhakal’s filmography includes notable titles such as Shanti Deep (1989), Cheli Beti (1990), Pheri Bhetaula (1990), Didi (1992), Chokho Maya (1993), Chatyang (1994), Chahana (1994), Sarangi (1994), and Pahilo Prem (1997). His work is remembered for its grounded visual style, clarity in storytelling, and commitment to traditional Nepali cinematographic techniques.Beyond filmmaking, Dhakal served as a professor at Oscar International College, Nepal’s only dedicated film‑teaching institute, and was an active member of NEFTA, contributing to the professional development of the industry. He passed away on 3 December 2015 due to a brain hemorrhage, leaving behind a respected legacy in Nepali cinema.