Pankaj Singh

Mahesh Paudel is a Nepali cinematographer and Director of Photography known for his versatile visual style and his contributions to both Nepali and Indian film industries. His career began with a passion for visual storytelling, and his early works such as Nirankush (2013) and Manjari (2013) showcased his ability to create emotionally resonant imagery through light, composition, and grounded realism.Over the years, Paudel has collaborated with leading Nepali filmmakers and steadily built a reputation as one of the industry’s most reliable and visually expressive cinematographers. His acclaimed work in Ranveer (2019) earned praise for elevating the film’s emotional and cinematic impact through refined visual aesthetics.He continues to expand his portfolio with major projects including Rann (2022), Prema (2023), Chitra (2024), and the upcoming Balidan (2025), where he took over as the lead cinematographer for the final schedule.Mahesh Paudel has also worked extensively in India, serving as Director of Photography for multiple Mumbai‑based production houses between 2005–2018, further strengthening his technical range and industry experience.Known for his disciplined craft, adaptability across genres, and strong command of camera language, Paudel remains one of the prominent cinematographers shaping the visual identity of contemporary Nepali cinema.

Roshan Das is a Nepali film director, music video director, lyricist, actor, and content creator from Godaita, Sarlahi, Nepal. At the age of 23, he has established himself as one of the emerging young filmmakers in Nepal through his dedication, creativity, and perseverance. Before entering feature filmmaking, Roshan directed more than 70 music videos and wrote over 10 songs. His notable directorial works include Bayan, Aadat, and Ramāune Manchhe, while his songwriting credits include Aafnai Swartha, Naya Itihas, Bhool Bhayo, and songs for his debut feature film Pratibairam. Despite having no formal education in filmmaking, Roshan built his career through practical experience and self-learning. He began creating videos during the COVID-19 pandemic using his father's Android phone before progressing to professional productions. His journey has been defined by persistence, overcoming financial and industry challenges while pursuing his passion for storytelling. His work has earned recognition through several national music awards, including: Jay Prapti Music Awards 2080 – Best Music Video Director (Rang Kada) Epic Nepal Music Awards 2081 – Best Music Video Director (Aadat) Silver Music Awards 2082 – Best Music Video Director (Aafnai Swartha) Jyoti Films Music Awards 2082 – Best Music Video Director (Bayan) Roshan made his feature film directorial debut with Pratibairam, a Nepali horror-comedy film. The project represents years of determination and reflects his vision of creating original, audience-focused cinema. In addition to directing, he also contributed as a lyricist to the film. Committed to continuous growth, Roshan Das aims to bring fresh stories to Nepali cinema while expanding his work to international audiences. His journey from a self-taught creator to an award-winning director reflects his belief that passion, resilience, and hard work can overcome any obstacle.

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Murari Thakur is a veteran Nepali cinematographer whose career spans more than three decades, contributing to some of the most formative eras of Nepali cinema. His work begins as early as 1982 and continues through the late 2000s, covering major commercial, romantic, and social‑drama films. He is known for his consistent visual craftsmanship across both black‑and‑white and early color Nepali films.His filmography includes landmark titles such as Jivan Rekha (1982), Silu (1987), Jhuma (1991), Rakshya (1993), Daijo (1996), Chori Buhari (1996), Chamatkar (1999), Apsara (2000), and Ajambari Maya (2002).