Ranjita Gurung

Sushma Karki is a well-known Nepalese glamour model, actress, and media personality who rose to fame in the early 2010s. Famous for her bold on-screen persona, she played a major role in bringing high-energy glamour and sensational item dances into mainstream modern Nepali cinema.

Urusha Pandey is a model and an actress, very well known as the “Expression Queen” of Nepal who did have work in Nepali series & music videos . And Now she is known as a model and an actress in India too. She did many indian music videos & webseries in India. She is also international brand ambassador of soulcentral magazine which is from london. She did have work in some English projects too. She believe in creating opportunities so she have her own Production company Sup multimedia from where she have made few music videos and short films. Acting is her passion. Since childhood she always want to be an actress. She feels she born to become an actress. Her love for acting was so much that she never have any another option. She love how as an actor you’re able to embody different personalities and interpret them in your own way through your acting. She feels that this allows her to be more understanding and empathic to the people she come across in her everyday life. She say its a beautiful thing when a carreer & a passion come together. Here is her small introduction : Urusha Pandey Actress / model / ceo of sup multimedia Email : Urushachannel1@gmail.com Supperurushaproduction@gmail.com Birth place : Nepal/ kathmandu Height : 5'3" Weight : 40 kg Vital : 34'24'34 Brown eyes , mid brown hair Below are some of her pictures that have been shot for magazines and print ads.

Sharon Sherpa is a Nepali actress, model, and dancer known for her graceful screen presence and early success in beauty pageants, winning Miss Beautiful 1996 and Miss Catwalk at Miss Nepal 1996. She entered Nepali cinema with the film Chamatkar, appearing alongside Rajesh Hamal, and continued her acting journey with roles in Sikhar opposite Shree Krishna Shrestha, Rajendra Khadgi, and Gagan Birahi. Active across modeling, dance, and film, Sherpa is recognized for her versatility and contribution to the 1990s–2000s era of Nepali entertainment.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.