Suraj Pandey

Deepak Rayamajhi was a celebrated Nepali film director and producer widely regarded as a key figure in shaping modern commercial Nepali cinema. Known for introducing fresh faces, stylish visuals, and contemporary storytelling, he played a major role in defining the look and rhythm of Nepali films during the 1980s and 1990s. Rayamajhi directed several successful films, including Bhagya Rekha, Kasam, Aafno Manche, Aafno Ghar Aafnai Manche, and Ghar Sansar, helping launch and elevate the careers of many actors. His work blended emotion, music, and social themes, earning him a lasting legacy as one of Nepal’s most influential filmmakers

Nabin Bhatt is a Nepali film and theatre artist, known for his work as a director, actor, and creative storyteller across stage and screen. Emerging from Nepal’s contemporary theatre movement, Bhatt developed his artistic foundation through acting, ensemble work, and script‑driven performance before transitioning into filmmaking.Active in theatre productions, workshops, and character‑based stage performances, he is recognized for his grounded acting style and his ability to shape emotionally layered narratives. His theatre background strongly influences his directing approach — emphasizing realism, character psychology, and performance‑centered storytelling.In film, Bhatt works as a director and creative contributor, developing stories that blend social themes, human relationships, and dramatic structure. His dual experience in theatre and cinema positions him among the new generation of Nepali creators who bridge stage discipline with visual storytelling.Bhatt continues to expand his presence in Nepal’s creative landscape through directing, acting, writing, and collaborative artistic projects.

Prem Bahadur Basnet is a Nepali film director known for his contribution to the early development of Nepali cinema and for directing the culturally important film Kumari.After completing his B.Ed., Basnet received scholarships to study abroad, including one from a university in Hawaii, USA, and another to study scriptwriting at the Film and Television Institute of India in Pune, India. While many students at the time were going to the United States for higher education, Basnet chose to pursue film studies in Pune because of his strong interest in cinema.He studied there for two years, going to Pune in 1962 and returning to Nepal in 1964. After returning, he worked at Nepal’s Information Department, where he became involved in cultural and media-related activities.Having studied filmmaking, Basnet was more interested in creating original and artistic films rather than purely commercial cinema. During this period, when Nepal was invited to represent the country in international film festivals, he decided to make a film based on the living goddess Kumari tradition of the Newar community in Kathmandu.This idea eventually led to the creation of Kumari, which became an important cultural film portraying Nepal’s traditions and social life. Through his work, Prem Bahadur Basnet helped introduce culturally rooted and artistic storytelling to Nepali cinema.

Raju Giri (born 28 November 1975) is a Nepali film director who began his career as a theatre actor, later working in TV serials and films before debuting as a director with Hatyakanda and releasing his first directorial film Dilmaya in 2011; he has since directed popular films including Bindas, Bindas 2, Makhamali, and Nirjala, establishing himself as a consistent commercial filmmaker in Nepali cinema.