Prem Bahadur Basnet

Nabin Subba is a veteran Nepali film director, screenwriter, and producer known for pioneering independent Nepali cinema with acclaimed works like Khangri, Numafung, Goodbye Kathmandu, and A Road to a Village, celebrated for his storytelling on indigenous communities and social issues.

Ganesh Dev Pandey is a Nepali film director, writer, and screenwriter known for his socially rooted storytelling and his contribution to modern independent Nepali cinema. He made his directorial debut with Malati Ko Bhatti (2012), followed by the romantic drama Manjari (2013), both of which helped establish his reputation as a filmmaker with a distinct narrative voice.He gained wider recognition with Gaja Baja (2018), Nepal’s first stoner‑comedy, which sparked national debate after the Film Development Board initially refused registration due to its title. Pandey challenged the decision in the Supreme Court and won after a two‑year legal battle, marking a landmark moment for freedom of expression in Nepali cinema.His later works include Julebi (2023), a multi‑narrative urban romance praised for its authentic portrayal of modern relationships. He has also written and produced Chini Kam Rang Kada (2020), further showcasing his versatility.

Narayan Puri is a veteran Nepali film director known for his contributions to the golden era of Nepali cinema. Born on January 15, 1968, in Syangja, Nepal, he has directed several acclaimed films that span genres from drama to action. His notable works include Shankar (1997), Ragat (1997), Mamaghar (2002), and Aago (2000), all of which are remembered for their storytelling and emotional depth. Puri’s directorial style often blends social realism with strong character arcs, and he played a key role in shaping the narrative tone of 1990s and early 2000s Nepali films. His film Mero Hajur (2002) also gained popularity for its romantic elements and musical appeal.

Sambhu Pradhan is a respected Nepali film director, editor, and actor whose work helped define the commercial era of Nepali cinema in the 1980s and 1990s. Emerging as a versatile creative figure, he built his career through disciplined craft in editing and gradually transitioned into directing films known for emotional storytelling, strong musical structure, and audience‑centered narratives. His directorial contributions include memorable Nepali classics such as Samjhana, Behuli, Sapana, Bishwas, and Santaan, works that established him as one of the influential filmmakers of his generation. Active across multiple disciplines—direction, editing, and acting—Pradhan’s career reflects a multi‑layered creative presence that shaped the visual and narrative style of mainstream Nepali cinema during its formative decades.