Nishan Ghimrie

Shahil Khan (born Khalid Khan, 5 July 1987) is an award‑winning Nepali film editor known for introducing modern, high‑impact editing techniques to Nepali cinema. Active since 2007, he has edited major films such as Dreams, Bhairav, Nai Nabhannu La 2, and Aabeg, earning honors including the LG Film Award 2016 for Best Trailer Editor and Best Film Editor. As the founder of Movie Factory Pvt. Ltd., he has shaped the post‑production landscape of Nepal, working on more than 170 films and becoming one of the country’s most in‑demand editors.

Bipin Malla is a prominent Nepali film editor known for shaping the modern commercial era of Nepali cinema. Active since the early 2000s, he has edited many of Nepal’s most successful mainstream films, including Raato Ghar, Chhakka Panja, and Chhakka Panja 2. His work is widely recognized for its timing, rhythm, and strong comedic‑dramatic pacing, making him one of the most respected editors in the industry.He has received major honors for his contribution to film editing, including the Dcine Award 2071, the National Film Award 2070, and the 10th National Box Office Filmfare Award (UK, 2017).In addition to editing, he has also worked as an actor and producer, with credits across more than 40 films. His editing portfolio includes major hits such as Chhakka Panja (2016), Chhakka Panja 2 (2017), Panchayat (2018), Chhakka Panja 3 (2018), Chha Maya Chhapakkai (2019), Nalapani (2022), Ganapati (2023), and Chhakka Panja 4 (2023).

Kumar Shah is a Nepali film and music‑video director, editor, and VFX artist known for his technical versatility and behind‑the‑scenes contribution to Nepal’s modern visual production scene. Active across direction, post‑production, and visual effects, he has worked on multiple music videos and independent film projects, building a reputation for clean editing style and strong visual storytelling.In 2014, he officially announced his action feature film “Kartik”, a project that generated industry attention for its ambitious action‑drama concept. The film was partially shot but remained unfinished due to production challenges, leaving it as one of Nepal’s notable incomplete film projects of the decade.Despite the halted project, Kumar Shah continues to be recognized for his multi‑disciplinary skill set in direction, editing, and VFX, contributing to various Nepali visual productions and maintaining a respected presence in the technical side of the industry.