Mukhtar Ahmad

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.

Yogendra Karki is a versatile Nepalese film director, actor, editor, ad/documentary maker, and assistant director, whose dynamic presence and creative expertise have made a significant impact on the Nepali film industry. His journey into cinema began with his debut in the 2019 film Kuraute, which marked the start of a steadily rising and diverse career in filmmaking. Since stepping into the industry, Karki has continually showcased his multifaceted talents, contributing across various domains of film production. However, he is particularly recognized for his role as a highly skilled and accomplished Assistant Director, having worked on more than 25 films. His ability to coordinate complex productions, manage creative and logistical challenges, and support directorial vision has made him an invaluable asset on set.

(Film Editor • Colorist • Post‑Production Artist • Nepali Films & Music Videos) Suprim Parajuli is a Nepali film editor and colorist active in the industry since 2015, known for his growing body of work across feature films, short films, and high‑view Nepali music videos. He has contributed to more than 10 feature films as an assistant/primary editor and has built a strong reputation in the color department, especially through his work on critically rated films such as Pujar Sarki (2024) and Purna Bahadur Ko Sarangi (2024). Parajuli is also the editor of the upcoming feature film Kumari (2026) and has edited several popular music videos, including Salala Salala (2022) and Telephoneko Tower (2019). His post‑production style is defined by clean pacing, emotional rhythm, and polished color aesthetics that enhance narrative tone.