Bipin Malla

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.

Lokesh Bajracharya is a senior Nepali editor, director, and post‑production leader with a career spanning more than two decades. He is best known for serving as Chief, Editing & Graphics and Production Head at AP1 TV from September 15, 2015 to December 30, 2020, where he shaped the visual identity of major national television programs, including Nepal Idol Seasons 2–3.

Ashok Nayak is a professional film editor known for his work in Nepali cinema, contributing to notable films such as Santan, Maya Preeti, Karja, and Khar Ko Chhano. Active across multiple decades, he is recognized for his precise cutting style and steady technical presence in the post‑production of mainstream Nepali films. His nationality is not clearly documented in public film records, but his editorial work remains an integral part of several well‑known Nepali productions.

''Bharat Regmi'' is a music Video/Film Editor, Vfx Artist & Colorist who has been based in Nepal since 2002. He is the most noted for his music video “Ma Hu Prakriti” by Nepali rock band “The Shadows”.