Narendra Mainali

Dirgha Gurung is a talented Nepali cinematographer known for his exceptional work in the Nepali film industry. He has contributed to various notable films, showcasing his skills and creativity behind the camera. Career Highlights Notable Films: Dirgha Gurung has worked on several acclaimed films, including "Jatra" (2016), "Soul of the Commando" (2022), and "Muglan" (2005). Cinematography: His work in films like "Chhakka Panja 2" (2017) and "Daal Bhat Tarkari" (2019) has been highly praised. Dirgha Gurung continues to inspire many with his dedication to the art of cinematography and his contributions to the Nepali film industry. 🎥

Binod Pradhan is an acclaimed Nepali cinematographer whose visual mastery spans both Nepali and Indian cinema. He began his career in Nepal with films such as Saino, Basudev, and other early Nepali classics, where his naturalistic lighting and emotional framing first gained attention. Pradhan later became one of Bollywood’s most celebrated cinematographers, shaping landmark films including Rang De Basanti, Devdas, Parinda, Mission Kashmir, 1942: A Love Story, and Bhag Milkha Bhag. His poetic realism, technical precision, and storytelling depth have made him one of South Asia’s most influential visual artists.

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.

Nabaraj Uprety is a Nepali cinematographer known for his clean visual style and emotionally grounded camera work across feature films, world‑cinema collaborations, music videos, and TV commercials. Active in Nepal’s modern visual industry, he brings a blend of technical precision and artistic sensitivity, shaping stories through natural light, disciplined framing, and strong visual rhythm. Uprety represents a new generation of DOPs expanding Nepali cinematography into global, commercial, and digital spaces.