Lok Bahadur Chhetri

Avay Dhungel is a singer, musician and songwriter. Most of the songs they sing, they give their own words and music. Born in Okhaldhunga, Pokali VDC, folk singer Avay Dhungel recently lives in the US. Avay's father Nabin Dhungel is also a popular folk singer. Avay sang 'purbeli kanchho', 'supari jai ko mala', aakashaima are very popular songs, "Sali Bhena" is the most popular song he has given to music. Over two dozen songs have been voiced by Avay Dhungel so far and six albums have been released.

Khuman Adhikari is a celebrated Nepali folk singer and live dohori performer known for his powerful voice, lyrical wit, and deep connection to rural Nepali culture. With a career spanning over a decade, he has become a household name through hit songs like “Aankha Mari Mari”, “Dariwala”, and “Bahunko Jhorle”. His performances often feature vibrant duets with artists like Tika Sanu and Asha BC, blending humor, romance, and social commentary. Khuman is also a prolific Teej song contributor, with tracks like “Teejma Ramailo” showcasing his versatility and festive spirit. Beyond singing, Khuman is admired for preserving traditional dohori formats while adapting them for modern audiences, making him a vital voice in Nepal’s evolving folk music landscape.

Krishna Sudha Dhungana, born on February 19, 1960, in Lamjung, Nepal, is a celebrated folk singer known for her contributions to Nepali music. Some of her popular songs include: Paanko Paat – A beloved folk song cherished by many. Dhaka Topi Mailo – A classic track Sanu Maya – A heartfelt melody. Salala Madi Marsyangdi – Featured in her Chandiko Mohor album,

Master Mitrasen Thapa Magar (1895–1946) was a pioneering Nepali folk singer, dramatist, social reformer, and cultural ambassador whose work laid the foundation for organized Nepali folk performance. Born in Bhagsu, Dharamshala, he served in the Gurkha Regiment before dedicating his life to music, theatre, and community upliftment. He performed widely across India and Nepal, including Kathmandu Durbar, where he presented folk songs, dramas, and shamanic‑influenced performances, earning high recognition and public felicitation. His mission was to preserve Nepali identity among diaspora communities through art, discipline, and cultural pride. Master Mitrasen recorded seven gramophone discs in Calcutta, a rare achievement for a Nepali artist of his era. Out of his 63 known compositions, 23 songs survive in recorded form. In 1942, he wrote “Buddhvaani” in Nepali to spread messages of peace, compassion, and social harmony. He passed away in 1946 while on a cultural tour, leaving behind a legacy that continues to inspire Nepali folk musicians worldwide.