Ram Thapa

Aashish Sachin is a talented artist in the Nepali music scene, known for his melodious voice and captivating songs. Here’s a brief overview of his work: Music Videos: Aashish has featured in several music videos, including “Sano Sano Kura Ma” and “Chhamak Chhamak,” which have garnered significant views on YouTube. Artistic Collaboration: He often collaborates with other artists and has worked with Junu Nath and Ranjita Thapa in his music videos. Public Reception: His music has been well-received, with “Chhamak Chhamak” achieving over 39 million views, showcasing his popularity and the impact of his music. Aashish Sachin continues to contribute to the Nepali music industry with his talent and passion for music.

Ganesh Parajuli is a Nepali singer and composer with a career spanning over 25 years. He has recorded more than 100 songs for Radio Nepal, many of which are preserved in its library. His music covers a range of genres, including modern, classical, folk, and patriotic songs. His first recorded song, "Kehi Khusi Ka Din Pani", was produced in 1988 at Altra Sound Studio, which later became Music Nepal. Some of his most popular songs include "Timilai Apanau Bhanera", "Maya Phool Ho Maya Pat Ho", and "Suna Maya Jadai Chhu Ma Tadha". Ganesh Parajuli has performed internationally, traveling to over a dozen countries for musical tours. He has also received multiple awards, including Nai Kala Nidhi Sangeet Samman (2061 B.S.) and recognition from Ilam Municipality as the best singer of the year (2045 B.S.).

Rabin Lal Shrestha is a Nepali tabla virtuoso and music educator known for his contributions to classical and devotional music in Nepal. Born in Kathmandu, he has been a leading figure in preserving and teaching the tabla tradition for several decades, both as a performer and as a mentor to young musicians. Key facts Birthplace: Kathmandu, Nepal Primary Instrument: Tabla Teaching Position: Lalit Kala Campus, Bhotahiti (since 1989) Notable Albums: Tabla Solo, Grand Rehearsal Collaborations: Suresh Raj Bajracharya (sarod), Prabhu Raj Dhakal (vocals) Musical training and influences Shrestha began studying tabla at the age of ten, inspired by bhajans sung by his father. His early training was under Sadhuram Manandhar, followed by advanced tutelage from Ganesh Raj Wonta, Nara Raj Dhakal, Homnath Upadhyaya, and Sambhu Prasad Misra. This diverse lineage grounded him in the North Indian classical tradition while connecting it to Nepal’s own devotional music culture. Teaching and mentorship Since joining Lalit Kala Campus in 1989 after three years at Holy Garden School, Shrestha has educated generations of students through structured intermediate and diploma programs. His classes maintain a rigorous schedule, emphasizing rhythm discipline and improvisational skill. He is regarded as a key figure in institutionalizing tabla education in Nepal. Performances and recordings Beyond teaching, Shrestha regularly performs at Kathmandu’s Hotel Vajra in a long-running program titled Dafa. He has toured internationally—including performances in Europe with sitarists Tarabir and Bijaya Vaidya—and released two albums: Tabla Solo, accompanied by his instructional book Dafa, and Grand Rehearsal. His work bridges traditional and contemporary interpretations of tabla music. Legacy Rabin Lal Shrestha continues to inspire Nepal’s younger generation of classical musicians. His dual role as performer and educator has made him a cornerstone of the country’s evolving Hindustani percussion scene, ensuring the tabla’s rhythmic heritage remains vibrant in modern Nepal.

Pawan Golay, widely known by his stage name Gole, is a modern–folk vocalist from Darjeeling known for his melodious voice and emotional delivery. He began his musical journey performing in local community events and small stages, where his natural vocal sweetness quickly drew attention. Rooted in Darjeeling’s rich musical culture, he developed a style defined by simplicity, clarity, and heartfelt expression. His songs such as Yati Thulo, Manlai Samjhai Samjhai, Hawa Sanga, Mirmire Behana, and Chhadi Jane Mayaluko earned him recognition across Darjeeling and Nepal. Gole continues to represent Darjeeling’s musical identity in contemporary Nepali music.