Shyam Nepali

Dhana Bahadur was a leading advocate for sarangi preservation, a respected singer, and a dedicated lyric collector from Batulechaur, Pokhara. He is widely remembered as the creator of the evergreen songs “Naraunu Mayalu” and “Beli ra Chameli,” beautifully performed by singer Prabin Gurung. Committed to safeguarding Nepal’s folk heritage, he operated a Sarangi Pathshala, teaching children and youth and nurturing a new generation of sarangi players. He passed away on Magh 11, 2077, leaving behind a legacy that continues to inspire Nepali folk music and sarangi culture.

Ganga Thapa is a Nepali composer, producer, ethnomusicologist, and multi‑instrumentalist known for his research‑driven approach to music and his fusion of traditional Nepali sounds with contemporary arrangements. His work spans field documentation, studio production, and multi‑instrumental performance, making him a key figure in the preservation and modern reinterpretation of Nepali musical heritage.

Prem Rana Autari is a renowned Nepali flutist celebrated for his classical foundation, global performances, and lifelong dedication to Nepali music. Born with a natural affinity for melody, he began exploring musical scales at the age of ten and traveled to India at twelve to study classical flute under world‑famous maestro Pandit Hari Prasad Chaurasia. His six years of rigorous training shaped the technical mastery and expressive depth that later defined his signature sound.Autari made his professional debut at fifteen with an orchestral ensemble in Bombay, performing in the vibrant center of Indian film music. He went on to work with All India Radio, gaining recognition for his refined tone and versatility. Returning to Nepal at twenty, he devoted himself to elevating Nepali music, serving nine years at Radio Nepal and ten years at the Royal Nepal Academy, where he became a leading figure in instrumental performance and musical education.He later performed worldwide with the classical ensemble Sursudha, representing Nepal on international stages, including as a soloist at the World Expo in Australia (2000). His artistry blends classical discipline with Nepali melodic sensibility, making him one of the most respected flutists of his generation.

Phoebe Shrestha is a Nepali violinist known for her expressive bowing style, refined classical technique, and ability to blend Western orchestral sensibilities with contemporary Nepali music. Active in studio sessions, live ensembles, and collaborative projects, she brings a warm, lyrical tone to film scores, acoustic arrangements, and cross‑genre performances. Her growing presence in Nepal’s modern music scene reflects both technical discipline and a distinctive emotional clarity in her playing.