Ujjwal Poudel

Shovit Basnet is a leading Nepali film director, actor, and producer, widely recognized for shaping the commercial mainstream of Nepali cinema from the 1990s onward. Known for his energetic direction style, mass‑appeal storytelling, and strong command over action‑romance‑drama formats, he remains one of the most consistent and bankable filmmakers in the industry.Beginning his journey as an actor, Basnet transitioned into direction where he discovered his signature voice—films built for broad audiences, emotional engagement, and box‑office success. Over the decades, he has directed numerous hit films that strengthened the commercial film market and helped define the tone of modern Nepali entertainment.

Shivam Adhikari is a prominent Nepali screenwriter, director, and dialogue writer active in the film industry since the early 2000s. Credited across more than 60 films as story, screenplay, and dialogue writer—and at times as director, lyricist, and cast member—he has worked on titles such as Meri Aama (2004), Swabhiman (2010), Sanglo (2019), Kopila (2020), and the recent Pariwartan (2026). His writing has earned multiple major award nominations, including for Panchayat and Parai, establishing him as one of contemporary Nepali cinema’s key narrative architects.

Dev Kumar Shrestha is a Nepali film director, producer, and choreographer active since the mid‑1990s, known for directing a diverse range of Nepali feature films including Godhuli, Ekata, Badmas, Luv Sab, Lalteen, Happy New Year, Nepte, The Karma, and Bakamfushe Maya. Beginning his career as a chief assistant director in the 1990s, he transitioned into full directorial work with Godhuli (2003) and steadily built a portfolio that spans commercial entertainers, social dramas, and modern romantic films. His multi‑role involvement—direction, story, screenplay, choreography, and production—positions him as one of the versatile contributors to contemporary Nepali cinema.

Kishor Rana was a veteran Nepali film director active from 1994 until his passing in 2019, known for shaping the visual and narrative style of several influential Nepali films. Beginning his directorial career with Karja (1994), he went on to direct notable works such as Raanko (1995), Karodpati (1997), Sima Rekha (1997), Gham Chaya (1998), and Ek Number Ko Pakhe (1999). His film Raanko is recognized as Nepal’s first cinemascope movie, and Sima Rekha is regarded as a historically significant film in Nepali cinema. Rana passed away on August 21, 2019, at Nidan Hospital, Lalitpur, at the age of 64, following long‑term kidney complications. His disciplined direction, technical innovation, and contribution to Nepali storytelling remain respected within the industry.