Shovit Basnet

Dipendra Lama is a renowned Nepali film director, writer, and former film journalist who transitioned into filmmaking after an 18‑year career in film journalism. He is widely recognized for directing successful films such as Ghampani (2017), Gopi (2019), Chha Maya Chhapakkai (2019), Dui Numberi (2022), and Nango Gaun (2023). His upcoming film Dukhi Aatma (2025) continues his trajectory as one of Nepal’s most consistent storytellers.Born into a Buddhist Tamang family, Lama began his professional journey in 2000 as a film journalist at Naya Sadak Daily, later contributing to major publications including Nepal Samacharpatra, Spacetime, Naya Patrika, Nepal Weekly Magazine, and Nagarik. His journalistic excellence earned him the Fine Art Journalism Award (2016) from the Nepal Academy of Fine Arts.His directorial debut, Ghampani (2017), marked his shift from journalism to cinema, driven by his deep understanding of storytelling and social issues. The film addressed caste discrimination and received strong critical reception.

Raju Dhoj Rana is a veteran Nepali film director active since 1994, known for directing several notable commercial and social‑drama films of the 1990s and 2000s. His career spans multiple creative roles — director, story writer, lyricist, screenplay writer, production designer, producer, and action director — making him one of the more versatile contributors of his era.

Nabin Chauhan is a Nepali film director, storyteller, and founder of Artmandu, best known for his critically acclaimed feature film Unko Sweater (The Woolen Sweater). His filmmaking journey is rooted in theatre, years of creative exploration, and a transition from directing popular music videos to crafting emotionally rich, socially grounded cinema.Before entering feature films, Chauhan directed several hit music videos such as “Tinpate,” “Sunakhari,” “Baaf,” and “Batauli,” building a strong visual identity and narrative style. His shift to cinema culminated in Unko Sweater, a film celebrated for its warmth, cultural depth, and portrayal of rural Nepali life.Chauhan’s storytelling is shaped by his early years in Panchthar, his formative experiences in Shilpee Theatre, and his commitment to authentic, character‑driven narratives. His work reflects a blend of realism, emotional honesty, and cultural sensitivity, positioning him among the new generation of Nepali filmmakers redefining contemporary cinema.