Shreeram Mahat

Laxminath Sharma is a pioneering figure in Nepali cinema, known for his multifaceted contributions as a film director, screenwriter, lyricist, production designer, and legal advisor. Born on September 24, 1945 in Barbote, Ilam, he began his career in the early 1970s with the Royal Nepal Film Corporation and later became a leading force in shaping narrative-driven Nepali films Education: MA in History, Tribhuvan University Diploma in Cinema (Direction), FTII Pune (1977) Film/TV/Animation training, AIBD Malaysia (1982) Notable Roles: Director of acclaimed films like Badlindo Aakash (1983), Shanti Deep (1989), Milan (1993), Sarangi (1994), Bidrohi (2002) Screenwriter and lyricist for Bhai Tika, Apaharan (Ekadeshma), Angalo Angaloma Legal advisor for Timro Kasam (2013) Board member at Oscar International College of Film Studies since 2003

Shyam Rai is a veteran Nepali film artist who has remained active in the industry for more than four decades. He began his cinematic journey in 1984 with the film “Basudev,” marking the start of a long and diverse career. Rai is known not only as an actor but also as a director, executive producer, legal advisor, assistant director, clap coordinator, and special appearance artist, reflecting his wide creative range. He has acted in over 37 films, including notable titles such as “Seto Bagh” (2015), “Rato Ghar” (2017), and “Bihe Pass” (2023). His recent works include “Hostel 3” (2025) and “Magne Raja” (2025). As a director, Shyam Rai has left a strong mark with films like “Chot” (1990), “Sankalpa” (1993), “Abala” (1996), “Guru Chela” (1998), “Aankha Lobhi Man Papi” (2003), and “Samarpan” (2004). Respected for his dedication, versatility, and long-standing contribution, Shyam Rai remains one of the most experienced and multifaceted figures in Nepali cinema

Yam Thapa is a Nepali film writer and director known for his work across story, screenplay, dialogue, and direction in modern Nepali cinema. Active since 2014, he has contributed to several notable films, including Kohinoor (screenplay, dialogue), K Ma Timro Haina Ra (screenplay), and the acclaimed Blind Rocks (story). His breakthrough as a director came with Hurray (2018) and Rajja Rani (2018), followed by the emotional drama Meri Mamu, where he served as both writer and director.Thapa’s recent works include writing and directing the upcoming film Lalibazar (2026), and contributing story, screenplay, and dialogue to titles such as Paraan (2025) and Anjila (2025). His storytelling blends social realism with emotional depth, making him one of the consistently active multi‑disciplinary creators shaping contemporary Nepali cinema.

Chandra Pant is a prominent Nepali filmmaker and action director known for his work in both Nepali and Bhojpuri cinema. Starting his career as a stuntman around 2008, he moved into action direction with films like Raavan, Fanko, Dreams, Lazza, Kri, Lappan Chhappan, and many more, designing action for over 60 films. He made his directorial debut with the Bhojpuri hit Nirahua Chalal London, later directing Nepali features such as Rann, Hrashwo Deergha, and the emotional drama Aa Bata Aama, which became a major box‑office success. Pant is regarded as one of the leading action specialists shaping modern Nepali commercial cinema.