Shambhu Sapkota

Purushottam Pradhan is a well known cinematographer with more than 200 Nepali movies credit. He is from the beautiful Himalayan country of Kathmandu Nepal. Currently he lives in Kathmandu Nepal.He was born in 27th June. He won National Nepali Film Award in 2016.

Avesh Bajracharya Cinematographer, camera person Avesh Bajracharya is a talented Nepali cinematographer and camera person. He began his career at News 24 and is currently working with AP1 Television. Avesh has worked on more than a dozen music videos and several commercial advertisements. He is also part of the camera crew for popular shows like "Nepal Idol" and "Comedy Champion". His work showcases his creativity and technical skills, making him a notable figure in the Nepali entertainment industry. 🎥

Gopal Raya Chhetri is a Nepali cinematographer and camera operator known for his work on the feature film Sarang (2025) and the crime‑drama series Crime Files (2021–2022), where he served as Director of Photography across eight episodes. His work reflects a grounded visual style, focusing on clean framing and narrative‑driven camera movement.Active in Nepal’s evolving digital‑cinema space, Raya has contributed to both long‑form and episodic storytelling, building a reputation for reliability in camera and lighting execution. His growing portfolio positions him among the new generation of Nepali cinematographers expanding into OTT‑style productions and modern Nepali feature films.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.