Purushottam Pradhan

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.

Pramod Karki is a Kathmandu‑based director of photography, cinematographer, and filmmaker known for his work on Nepali reality shows, television, music videos, commercials, and feature films. He has served as DOP for Ko Banchha Crorepati (KBC Nepal), Himalaya Roadies (Seasons 1–3), Ainaa, and The Poet Idol, and as cinematographer on films including Mala and Tara: The Lost Star, the latter screened at the Cannes International Film Festival market.

Aalok Shukla is a Nepali cinematographer and director of photography, born in Kapilvastu, Nepal, and trained at the prestigious Film and Television Institute of India (FTII), Pune, where he completed his post‑graduate degree in Motion Picture Photography in 2008.Known for his precise control of lighting, color, framing, and visual mood, Shukla has built a strong body of work across Nepali and South Asian cinema. His filmography includes acclaimed features such as Nango Gaun (2023), Sano Mann (2019), Love Station (2019), America Boys (2018), Teen Jantu (2021), ZURI – A Rare Soul (2021), Ma Rajesh Hamal (2022), Dubidha (2022), and the internationally recognized Crawling Crows: Aankha (2024).He has also worked in Indian productions, including Yeh Meri Family (2nd Unit DOP, 2018) and Kismat (Assistant Camera, 2011), demonstrating his technical versatility across formats.Beyond cinematography, Shukla has directed the documentary “Revolution of the Black Buddha’s”, reflecting his interest in socially rooted visual storytelling.

Arjun Tiwari is a highly skilled and busy cinematographer in the Nepali film industry. Here are some key highlights about him: Career and Contributions Early Career: Arjun Tiwari started his career in television but later transitioned to freelancing, where he has made a significant impact. Versatility: He has worked on a wide range of projects, including music videos, documentaries, TV commercials, and feature films. Reputation: Known for his expertise and creativity, Tiwari is one of the most sought-after cinematographers in Nepal. Notable Works Music Videos: Tiwari has shot numerous music videos, contributing to the visual appeal and storytelling of Nepali music. Reality Show: Tiwari has demonstrated his skill as DOP in popular reality shows of Nepal. He has been involved in 'The Voice of Nepal', 'Dancing Star Nepal', 'The Voice of Kids Nepal' among others. Documentaries and Commercials: His work extends to documentaries and TV commercials, showcasing his versatility and ability to adapt to different formats. Feature Films: He has also been involved in shooting feature films, bringing his unique vision and technical skills to the big screen