Samikshya Adhikari

Anita Chalaune (अनिता चलाउने) is a vibrant and popular Nepali folk and Lok Dohori singer, known for her powerful vocals, catchy melodies, and dynamic stage presence. She has carved a niche in the modern Nepali music scene with a string of hit songs that blend traditional rhythms with contemporary flair. She’s also known for her collaborations with artists like Raju Dhakal, Rabi Oad, and Prabin Bedwal, and her songs often feature in Teej and Deuda celebrations.

Panna Kaji Shakya (1931–2017) was a pioneering Nepali singer, composer, and lyricist, widely regarded as one of the foundational voices of Nepal’s modern music era. Born in Ombahal, Kathmandu, he began his musical journey through devotional singing and later became one of the earliest and most influential artists associated with Radio Nepal, where he worked from 1951 to 1985.Across four decades, Shakya contributed his voice and compositions to over 300 songs, shaping the sound of early Nepali modern, folk‑inspired melodies, and bhajans. His timeless recordings—“Tiriri Murali Bajyo Banaima,” “Naulakhe Tara,” “Kina Kina Timro Tasbir,” “Lolaeka Ti Thula Timra Ankha”—remain cultural landmarks and continue to define Nepal’s musical heritage.Beyond music, Shakya was active in theatre and stage performance during a period when male actors often portrayed female roles due to the absence of women in the field. He was also briefly involved in political activism through the Nepal Praja Parishad, leading to his arrest in 1962.In recognition of his lifelong contribution to Nepali music, he received the Tuborg Image Award – Lifetime Achievement Award (2013). Panna Kaji Shakya passed away on January 25, 2017, at the age of 85, leaving behind a legacy that continues to inspire generations of Nepali musicians.

Shisir Shrestha is a respected Nepali guitarist and music educator who trained under the legendary composer Ambar Gurung. Known for his refined technique and deep understanding of both Eastern and Western musical traditions, Shrestha contributed to numerous compositions and recordings during his time with Gurung’s team. He has performed in classical and contemporary ensembles, supporting the evolution of Nepali modern music. Beyond performance, Shrestha has mentored young musicians and promoted structured music education in Nepal. His work reflects the legacy of Ambar Gurung’s vision — blending tradition with innovation in Nepali music’s instrumental landscape.

Miss Patal (Patali) China – SingerKnown for her striking Mongolian features, she was popularly called “Miss Patal China.” Archival sources indicate she recorded 2 songs in India in BS 1988 (AD 1931/1932). Her real name, song titles, and additional biographical details are missing, yet she is recognized as one of the early Nepali female recording artists.