Ram Chandra Kafle

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Yatiraj Adhikari is a respected Nepali violinist, music educator, and classical performer from Dang, Nepal. He serves as a Lecturer at Sirjana College of Fine Arts and an Assistant Professor of Music at Lalit Kala Campus, Nepal’s premier fine arts institution. With a deep foundation in Hindustani classical music, Yatiraj is known for his soulful violin renditions of ragas such as Bihag and Bageshree, often performed in both solo and collaborative settings. He is also a core member of Sampada (The Heritage) Band, a group dedicated to preserving and innovating traditional Nepali music. His performances—featured on platforms like Aashram Music and in international venues such as Frankfurt—highlight his technical finesse and emotional depth. Beyond performance, Yatiraj is committed to nurturing the next generation of musicians through teaching, workshops, and cultural research, making him a vital force in Nepal’s evolving musical heritage.

Pushpa Gurung's passion for music was evident from a young age. Initially shy about her aspirations, she began composing lyrics and melodies during her school years. Her formal training commenced at Doremi Music School, where she honed her vocal skills and deepened her understanding of music. Encouraged by positive feedback from friends and mentors, she embarked on her professional singing career. Her debut album, "Fate", released in 2010, featured seven tracks that showcased her versatility and emotional depth. The album received positive reviews, establishing her presence in the Nepali music scene. In 2013, Pushpa gained widespread recognition with the release of the single "Rog Ho Ki Yo Dosh Ho", composed by Kali Prasad Baskota. The song's poignant lyrics and her soulful rendition resonated with audiences, further solidifying her reputation as a talented vocalist. The accompanying music video, directed by Anil Sthapit, complemented the song's emotional tone. Beyond her solo projects, Pushpa has contributed to various film soundtracks and collaborative works. Notably, she lent her voice to the song "Jadoo" from the Nepali movie Manjari, a duet with Sanup Poudel. Her ability to convey deep emotions through her music has made her a sought-after artist in the industry.

Deep Tuladhar is a legendary Nepali sound engineer, music producer, and playback singer whose career spans nearly four decades. He has worked behind the scenes on over 15,000 songs, shaping the sonic identity of modern Nepali music across genres—from folk and pop to film soundtracks. He is best known for his contributions to iconic films like Balidaan (1997), where he served as a playback singer, and Thuldai (1999), where he worked as a sound recordist and music technician. His technical expertise and artistic sensibility have made him a go-to figure for generations of Nepali musicians and filmmakers. In addition to his studio work, Tuladhar has also released devotional and cover songs, such as Dakshinkali Bhajan and a tribute to Mohammad Rafi titled Ek Haseen Sham Ko. His recent appearance on the Mhendolafole Podcast offered a rare glimpse into his journey, challenges, and the evolution of sound design in Nepal.