Prabesh Man Shakya

Dharma Raj Thapa, honored with the title Jana Kabi Keshari, was a legendary Nepali folk singer and poet. Born in 1924 in Pokhara, Nepal, he became one of the most influential figures in Nepali folk music. His songs, such as Hariyo Danda Maathi and Nepali Le Maya Maaryo Barilai, captured the essence of Nepal’s landscapes and traditions. Thapa was not only a singer but also a poet and cultural historian. He collected and preserved folk songs, ensuring that Nepal’s musical heritage remained alive. His contributions earned him numerous awards, including the Madan Puraskar and Indrarajyalaxmi Puraskar. Some of his most popular songs include: Hariyo Danda Mathi – A classic folk song celebrating Nepal’s natural beauty. Nepali Le Maya Maaryo Barilai – A heartfelt song reflecting Nepali culture and emotions. Saili Rimai Chauri Gai – A traditional melody with deep cultural significance. Aaja Madal Bajeko Kina – A lively folk tune. Dhuru Dhuru Narou Aama – A song filled with emotion and nostalgia. Aai Pugyo Railaima – A well-loved song in Nepali folk music.

Miss Dulari – Singer (Disciple of Melawa Devi)Also a disciple of Melawa Devi, Miss Dulari recorded 2 songs in BS 1988 (AD 1931/1932). Beyond this, no additional information is available. She is regarded as one of the early women who helped preserve traditional vocal styles through recorded music.

Hi, Iam Tshering Bhutia from Nepal. Has been involved in Nepali music for a long time. Lead Vocalist of Tshering and the band.

Shree K.C. is a promising young Dhrupad singer from Nepal, known for his deep, meditative vocal style rooted in the ancient Hindustani classical tradition. Recognized by the Society of Classical Music Nepal, he has been featured in curated sessions that spotlight emerging voices in classical music. His performances are marked by spiritual intensity, precise intonation, and a profound understanding of raga structure. Shree K.C. is part of a new generation of Nepali classical musicians who are reviving interest in Dhrupad—a genre known for its devotional and introspective qualities. He often performs in intimate baithak-style concerts and educational forums, helping to bridge traditional music with contemporary audiences. His dedication to vocal purity and disciplined practice reflects the guru-shishya parampara (teacher-disciple tradition), and he continues to grow as both a performer and cultural ambassador for Nepal’s classical heritage.