Mandabi Tripathi

Ramana Shrestha is a Nepali playback singer known for her expressive, melodious voice that became a defining presence in the popular film‑song era of the 2050s. As cinema halls promoted films through hit songs, her vocals played a central role in shaping audience appeal and elevating the emotional tone of Nepali films. Her duets and playback performances became staples of the period, contributing to some of the most memorable soundtracks of the decade.She rose to prominence through collaborations with leading composers and singers of the time, most notably her celebrated duets with Umesh Pandey. Together, they delivered evergreen hits such as “Rato Tika Nidharma Talkyo…”, a song that remains deeply rooted in Nepali musical memory. Her voice also enriched major film projects, including Nirmaya, Allare, and several other productions where her tonal clarity and emotive delivery stood out.Throughout the 2050s, Ramana Shrestha became one of the most recognized female playback voices, contributing to numerous film soundtracks that continue to resonate with audiences today. Her work represents a significant chapter in the golden era of Nepali film music, marking her as one of the era’s defining playback artists.

Binusa Rai is a contemporary Nepali singer known for her growing presence in modern lok‑geet, purbeli folk, and digital‑era Nepali music. Active across YouTube, studio labels, and streaming platforms, she has lent her voice to popular songs such as “Hataima Salai” (2025) , “Bala Maicha” (duet with Prabhananda Baidya) , and “Kalle Bhanyo” (2025) with Himal Gharti Magar . Her vocals also appear in widely shared folk‑inspired pieces like “Timi Pareu Nepal Ko, Ma Ta Pare Asam Ko” in collaboration with Mani Sundar Limbu .Rai’s discography on streaming platforms includes multiple solo releases such as “Timro Mero Mayako Ghar,” “Priyatam Yo Mero Man,” “Bhaileni Aain Agana,” “Jun Pal Timi Aayau,” and “Kasari Jodyau Mutu”—showcasing her versatility across folk, sentimental, and melodic genres . With consistent digital output and collaborations with emerging composers, she represents the new wave of Nepali female vocalists shaping the post‑2024 folk‑fusion soundscape.

Dev Narayan Pradhan is a Nepali singer known for his distinctive modern and sentimental music style. Born on February 11, 1964, in Rangaroon, Darjeeling, Pradhan's journey into the world of music has been shaped by an unwavering passion for the art. He proudly states, "Music is my only education," highlighting his deep-rooted commitment to his craft. Pradhan's admiration for the legendary Narayan Gopal has played a significant role in inspiring his musical approach. His compositions resonate with soulful expressions, touching the hearts of his listeners. In the year 2060, he released his first album, Prerana, marking an important milestone in his career. Among his most well-loved songs, Kati Kura stands out as a fan favorite. His ability to blend emotion and melody has garnered appreciation from Nepali music enthusiasts, further cementing his place in the industry. With a dedication that transcends formal training, Dev Narayan Pradhan continues to enrich Nepali music with his heartfelt compositions and unique artistic voice.

Dalbahadur (Surname Unknown)Singer/ComposerDalbahadur is considered one of the early contributors to Nepali modern jhyaure and folk‑based recordings, active since around BS 1965 (AD 1908/1909). Archival research shows that he recorded 2 songs in BS 1970 (AD 1913/1914). The song titles and further personal details remain unavailable, but his role in the early recording era is historically significant.