Lochan Rijal

Nabin Dhungel is a well-known name in the field of Nepali folk songs. He has recorded almost 50 songs on Radio Nepal, and many of his songs have become popular among folk music lovers. Nabin Dhungel became the first in the national folk song competition in 2038 B.S. The song he sang for the first time in his life, "Kaacho Katara... Ma Janchhu Rangkhola Roka Motara," is still popular among folk lovers. Notable Songs "Machhi Marana Ho Dai Ho" "Dori Ko 3 Funda" "Sali Bhena" "Saikala Sarara" Musical Albums "Chari Himalama" (2048 B.S.) "Pipal Sangai Bar" (2043 B.S.) "Dori Ko 3 Funda" (2045 B.S.) "Purbeli Kanchho" (2056 B.S.) "Sali Bhena" (2059 B.S.) "Tirkha Metaideu" (2063 B.S.)

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.

Nipesh Dhaka (born 6 October 1981, Pokhara) is a Nepali environmentalist, lyricist, and music composer recognized for his large‑scale environmental music projects and documentary work. He is the creator, lyricist, music composer, and director of the globally recognized environmental anthem “Melancholy,” recorded by 365 Nepali artists at Radio Nepal on 19 May 2016, a project that later achieved the Guinness World Record for “Most Vocal Solos in a Song Recording.”Dhaka holds an M.A./M.Sc. and pursued further studies in Landscape Management, Soil and Water Management at the Technical University of Munich. He has been active since 1999, working across music, environmental advocacy, cinematography, and social campaigns.As the director of SEEM Nepal, he has led multiple environmental awareness initiatives, including research‑based documentaries such as Himalaya Calls (2015), Melancholy (2017), and Rodhan (2017), which explore biodiversity loss, climate change, and sustainable development across Nepal’s ecological regions.His environmental anthem Melancholy was released on 2 September 2017 by President Bidya Devi Bhandari and certified by Guinness World Records on 1 February 2018. The project featured national icons including Madhav Prasad Ghimire, Udit Narayan Jha, Madan Krishna Shrestha, Hari Bansha Acharya, Prem Dhoj Pradhan, Sambhujeet Baskota, and Rajesh Payal Rai.Dhaka describes himself as an “Environmental Fighter”, working through music, research, and public campaigns to raise awareness on climate issues.

Ustad Anand – Classical VocalistA prominent classical musician of BS 1985 (AD 1928/1929), Ustad Anand has 2 gramophone recordings from BS 1989 (AD 1932/1933) preserved in researcher archives. It is believed he recorded many more songs, but only two discs have been found. His influence in early Nepali ustadi tradition remains notable.