Bijay Baral

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Manohar Sunam is a distinguished Nepali music arranger and instrumentalist, renowned for his significant contributions to the Nepali music and film industry. His expertise in music arrangement has enriched numerous songs and films, leaving a lasting impact on Nepal's musical landscape. Career Highlights: Throughout his career, Manohar Sunam has been instrumental in arranging music for various Nepali movies and songs. Notable works include: "Samarpan": In this film, Sunam served as the music arranger, showcasing his ability to enhance cinematic narratives through his musical compositions. "Dulahi Rani": His role as the music arranger in this movie further exemplifies his versatility and dedication to the craft. "Piratiko Paluwa": Sunam's recent involvement as a music arranger in this project highlights his enduring presence and relevance in the industry. Collaborations: Manohar Sunam has collaborated with various artists and filmmakers, contributing to the success of numerous projects. His collaborations have resulted in memorable songs and soundtracks that resonate with audiences. Online Presence: For those interested in exploring his work, Manohar Sunam's music arrangements can be found in various Nepali films and music videos. Platforms like YouTube host several of these works, providing easy access to his contributions. Additional Information: While detailed personal information about Manohar Sunam is limited, his professional achievements and contributions to Nepali music are well-recognized. His dedication to music arrangement has played a pivotal role in shaping the soundscape of Nepali cinema and music.

Suresh Raj Bajracharya is one of Nepal’s foremost sarod maestros, known for his deep devotion to classical music and his role in preserving the rich heritage of Hindustani instrumental traditions. With over three decades of experience, he has become a revered figure in Nepal’s music scene, performing at venues like Yala Mandala and collaborating with artists such as Laxmi Prasad Dangol and Mannu Shahi. His compositions—like “Intransient Nature”, “Childhoodness”, and “Jaya Namah Shree Buddha”—blend meditative ragas with spiritual depth. Bajracharya is also known for his unique offering to the Living Goddess Kumari, where he sought to teach her the sarod as a gesture of cultural devotion. His albums, including The Nature, are available on platforms like Deezer. Through teaching, composing, and performing, Suresh Raj Bajracharya continues to inspire a new generation of classical musicians in Nepal and beyond.

Rubin Kumar Shrestha is a Nepali musician, composer, and multi‑instrumentalist best known as a core member of the folk‑instrumental ensemble Kutumba since 2004. Specializing in ID music, background score, and thematic sound design, he contributes to Kutumba’s signature sound through traditional Nepali instruments, experimental arrangements, and contemporary fusion. His work spans live performances, studio recordings, documentaries, cultural projects, and background scoring for visual media, making him one of the prominent creative forces in Nepal’s instrumental music scene.