Baikuntha Man Maskey

Starting from his early career in the late 1980s, Deepak Dhakal emerged as a dedicated Nepali cinematographer known for his steady contribution to commercial and social‑themed Nepali cinema. He made his debut as a cinematographer with Sindoor and went on to work in more than 20 feature films, shaping the visual tone of 1990s and early‑2000s Nepali filmmaking.Dhakal’s filmography includes notable titles such as Shanti Deep (1989), Cheli Beti (1990), Pheri Bhetaula (1990), Didi (1992), Chokho Maya (1993), Chatyang (1994), Chahana (1994), Sarangi (1994), and Pahilo Prem (1997). His work is remembered for its grounded visual style, clarity in storytelling, and commitment to traditional Nepali cinematographic techniques.Beyond filmmaking, Dhakal served as a professor at Oscar International College, Nepal’s only dedicated film‑teaching institute, and was an active member of NEFTA, contributing to the professional development of the industry. He passed away on 3 December 2015 due to a brain hemorrhage, leaving behind a respected legacy in Nepali cinema.

Pankaj Singh is a versatile Nepalese director,cinematographer, editor, ad/documentary maker, and assistant director, whose dynamic presence and creative expertise have made a significant impact on the Nepali music video industry. His journey into industry began with his debut in the 2019 music video "Chhoder Janeko Maya" as Cinematographer, which marked the start of a steadily rising and diverse career in filmmaking. Since stepping into the industry, Karki has continually showcased his multifaceted talents, contributing across various domains of film production. However, he is particularly recognized for his role as a highly skilled and accomplished Assistant Director, having worked on more than 25 Music Video and 1 film Pratibairam as Line Production. His ability to coordinate complex productions, manage creative and logistical challenges, and support directorial vision has made him an invaluable asset on set.

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Nabaraj Uprety is a Nepali cinematographer known for his clean visual style and emotionally grounded camera work across feature films, world‑cinema collaborations, music videos, and TV commercials. Active in Nepal’s modern visual industry, he brings a blend of technical precision and artistic sensitivity, shaping stories through natural light, disciplined framing, and strong visual rhythm. Uprety represents a new generation of DOPs expanding Nepali cinematography into global, commercial, and digital spaces.