Ashish Aviral

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Asutosh Rai is a Nepali singer and musician.

Balanda Rai (बालन्द राई) is a singer and music director. He is also a successful music arranger who has spent 20 years in music. He has contributed a lot to folk songs and modern songs. He has contributed to more than 3,000 songs.

Nischal Basnet is a celebrated Nepali director, actor, writer, and playback singer known for revolutionizing modern Nepali cinema. Born on January 17, 1980, in Birtamod, Jhapa, he studied film at Oscar International College. His directorial debut Loot (2012) became a cult hit, followed by acclaimed films like Talakjung vs Tulke (2014) and Loot 2 (2017). As an actor, he starred in Kabaddi Kabaddi, Dui Rupaiyan, and Prasad. Known for blending realism, dark humor, and social commentary, Basnet is married to actress Swastima Khadka. His work continues to shape the narrative and technical evolution of Nepali cinema.