Aavaas आभास

Hari Karmacharya is a dynamic Nepali singer, lyricist, and composer known for his vibrant contributions to modern and folk-inspired Nepali music. A founding member of the band Gloomy Guys, he has carved a niche with his energetic performances and catchy compositions that blend traditional rhythms with contemporary flair. His musical journey spans decades, marked by creativity and cultural resonance. Hari’s popular songs include Disco Dohori, Maya Ko Dori Le, Halla Machchiyo, and his live cover of Aadha Jindagi, showcasing his vocal versatility and emotional depth. His lyrics often explore themes of love, nostalgia, and everyday life, making his music relatable and enduring. Whether collaborating with other artists or performing solo, Hari Karmacharya continues to be a beloved figure in the Nepali music scene, celebrated for his originality and passion.

Janaki Panth is a Nepali singer, lyricist, and composer known for her contributions to contemporary Nepali music. She has released several songs, including "Bola Na Kehi Aajako Din Ta", "Nyauli Ruda", and "Aba Ta Chahiyo Kathmandu Ma Ghar". Her music blends traditional Nepali elements with modern arrangements, making her a recognized figure in the industry. She actively shares her work on platforms like YouTube, where she has an official channel featuring her compositions and performances. Her songs often reflect themes of love, culture, and personal expression.

Saran Kumar Pradhan (1943–1974) was one of Darjeeling’s most gifted lyricists, composers, and mandolin virtuosos, shaping the golden era of modern Nepali music. Born on 4 May 1943, he grew up in a culturally vibrant Darjeeling and taught himself banjo, harmonium, and mandolin with remarkable mastery. A science graduate from St. Joseph’s College, he later taught at St. Robert’s School, where he also composed the school anthem. A student of maestro Amber Gurung, Saran emerged as a leading figure of Adhunik music alongside Aruna Lama, whom he married in 1963. Their partnership produced timeless classics such as “Yaha Ful Nakhili Cha,” “Sabaile Bhanthe,” “Hera Na Hera Kancha,” and many others. His music club Sangeet Sangam became a creative hub that nurtured Darjeeling’s finest talents. Saran passed away in 1974 at just 31, leaving behind a luminous body of work that continues to define Nepali musical heritage.

Arjun Kaushal is a seasoned Nepali singer, composer, and lyricist originally from Palpa. His journey into music is as heartfelt as it is inspiring. After a difficult childhood marked by his parents’ separation, he moved with his mother to Gulmi and later to Delhi at just 11 years old, where he worked in a mechanic shop. It was there that his love for music blossomed—he bought a harmonium with his earnings and began teaching himself to play by ear. Returning to Nepal at 15, he enrolled in a singing school in Palpa and eventually made his way to Kathmandu to pursue music more seriously. Despite lacking formal training, Kaushal immersed himself in the craft, learning through practice and collaboration with fellow musicians like Laxmi Neupane and Durga Gurung. His debut album Aaune Dashain Ma (2054 BS) was self-produced but didn’t gain much traction. However, his second album Manai Ta Ho became a regional hit in mid- and far-western Nepal.