Amrit Chhetri

Kalyan Singh is a Nepali composer and songwriter. His works include Santosh Lama‘s ‘Batuwa’, Hemanta Rana‘s ‘Raat Ki Raani’ and ‘Muskaan’, and Nima Rumba’s ‘Jaadu’, among others. He has also directed music for films — ‘Visa Girl’, ‘Mukhauta’ and ‘Hasiya’. With the knack of composing different styles of music, he is one of the capable composers of Nepali industry. Musical roots Singh was born on March 2, 1983. He was born into a musical family. His father, Bhagat Singh was an instrumentalist who worked at Radio Nepal and it was him who taught him music. He started learning music with the harmonium. By the age of seven, he had learnt the violin. Even though he learned and played music in the next several years, he had not planned to pursue music professionally. On the other hand, nobody in his family thought that he would be in the music filed. Turning point After completing his Bachelors level of education in 2002/3, Singh wanted to go to Australia for his further studies. But he was turned down and so he picked up music instead. With the help of his brother, renowned music director Raju Singh, he debuted as a singer with his first album titled ‘Fly’ in 2005/6. Singh had written and composed five songs out of seven tracks for ‘Fly’. However, ‘Fly’ didn’t go well. And so, he chose to become a composer. Moreover, an incident took place at one of the FM stations during the promotion of ‘Fly’. The ‘hurting’ episode made him determined to become a composer as he felt, “I won’t come to this FM station but my music will.” If that incident hadn’t taken place in his life, he wouldn’t have worked hard and become a composer. His willpower to become a composer was further supported and encouraged by photographer, cover designer, Lyricist Anil Sthapit.  

Ustad Badri – Classical VocalistUstad Badri has 5 recorded songs from BS 1990 (AD 1933/1934) listed in archival research. Additional biographical information is unavailable, but he is recognized as a contributor to the early classical/ustadi tradition in Nepali recordings.

Tilak Bam Malla, also known by his stage name Parivesh, is a Nepali folk-pop singer. He gained popularity in the late 90s with his second Lok Pop album, Parivesh Vol.2, which featured hit songs like Mutu Chune, Bhote Talcha, Haat Ma Rumal, and Chaite Dashain. He is considered a pioneer of the Lok Pop genre in Nepal. Malla has released numerous successful songs and albums, and his music continues to resonate with Nepali audiences. He also owns Parivesh Recording Studio, where he supports talented musicians who want to revolutionize the Nepali music industry. Beyond music, he has been involved in humanitarian efforts, especially during the devastating Nepal earthquake in 2015. If you're interested in his music, you can check out some of his songs like Mero Maya, Bhote Talcha, and Sarara.

Ustad Asha Gopal was a respected classical vocalist from Kathmandu and the father of Swor Samrat Narayan Gopal. He was deeply involved in the devotional music culture of New Road, Kilagal, and surrounding temple areas, where he regularly led and participated in bhajan–kirtan traditions. During Narayan Gopal’s childhood, Ustad Asha Gopal often took him along to these bhajan mandalis, where the young Narayan accompanied the ensemble on basic instruments, absorbing classical discipline and devotional musical structure from an early age.Although formal recordings of Ustad Asha Gopal have not been found, his influence is widely acknowledged in oral histories. His grounding in classical and devotional music shaped the early musical environment that nurtured Narayan Gopal’s sense of melody, discipline, and vocal purity. Researchers consider him an important figure in Kathmandu’s traditional music circles of the early 20th century.