Nabin Chauhan

Madhusudan Bhattarai (also credited as Madhu Sudan Bhattarai) is a Nepali film director, story writer, and chief assistant director active in the industry since the early 2000s. Known for his grounded storytelling and command over commercial drama, he has directed feature films such as Black Night (2013), Blackmail (2012), Nirbhay (2017), Destination Kathmandu (2018), and the upcoming Hami Teen Bhai (2026), where he also serves as the story writer.Beginning his career as a chief assistant director and assistant director, Bhattarai contributed to projects like Pahuna (2003), Daiko Sasurali (2010), Gorkha Rakshyak (2008), and Pratikaar (2013) before transitioning into full directorial leadership. His early technical roles—including work as chief assistant editor on Kathmandu (2010)—helped shape his precise visual and narrative style.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.  

Yadav Kharel (born 23 February 1943 in Kavrepalanchowk) is a veteran Nepali film director, writer, lyricist, and producer, widely regarded as one of the most influential creative figures in Nepali cinema. He was among the first Nepali filmmakers to earn a formal diploma in Film Direction and Production from the London Film School in 1971, establishing a new professional standard in the industry . Kharel began his career at Radio Nepal before transitioning into filmmaking, where he became known for directing genre‑defining works, including Nepal’s first major comedy‑satire, historical drama, historical biopic, and mythological film . He also served as the founding chairperson of the Film Development Board (2000–2002), shaping national film policy and institutional growth .