Yadav Kharel

Shyam Rai is a veteran Nepali film artist who has remained active in the industry for more than four decades. He began his cinematic journey in 1984 with the film “Basudev,” marking the start of a long and diverse career. Rai is known not only as an actor but also as a director, executive producer, legal advisor, assistant director, clap coordinator, and special appearance artist, reflecting his wide creative range. He has acted in over 37 films, including notable titles such as “Seto Bagh” (2015), “Rato Ghar” (2017), and “Bihe Pass” (2023). His recent works include “Hostel 3” (2025) and “Magne Raja” (2025). As a director, Shyam Rai has left a strong mark with films like “Chot” (1990), “Sankalpa” (1993), “Abala” (1996), “Guru Chela” (1998), “Aankha Lobhi Man Papi” (2003), and “Samarpan” (2004). Respected for his dedication, versatility, and long-standing contribution, Shyam Rai remains one of the most experienced and multifaceted figures in Nepali cinema

Deependra Gauchan is a renowned Nepali film director, screenwriter, and producer who has made significant contributions to the film industries of both Nepal and Cambodia. Contributions in Nepal "Ujeli: A Child Bride in Nepal": This social tragic drama, directed by Deependra Gauchan and produced by UNICEF, highlights the issue of child marriage in Nepal. The film portrays the life of a 10-year-old girl forced into an arranged marriage, shedding light on the sharp distinctions between the roles of boys and girls in Nepal. Other Works: Deependra has also worked on various other projects, including "Sneh Svaikun 4" and "Viplas/Rachana," showcasing his versatility and dedication to the Nepali film industry. Contributions in Cambodia "Love 2 the Power of 4": Deependra co-directed this Khmer-language romantic comedy alongside Cambodian co-director and co-writer Sothea Ines. The film explores the relationships of four young, middle-class Cambodian couples as they navigate their professional and romantic aspirations. It addresses sensitive issues such as relationships between transgender people, trauma, suicide, and abortion, making it a significant contribution to Cambodian cinema. Deependra Gauchan's work in both Nepal and Cambodia has been instrumental in addressing social issues and promoting cultural narratives through film. His dedication to storytelling and his ability to tackle complex themes have made him a respected figure in the film industry.

Barun Kawasi is the director of Jhoda (1987), known for his grounded storytelling and realistic portrayal of rural Nepali life. His direction emphasizes emotional authenticity, social themes, and character‑driven narratives, making Jhoda a notable film of the 1980s Nepali cinema era.

Dev Kumar Shrestha is a Nepali film director, producer, and choreographer active since the mid‑1990s, known for directing a diverse range of Nepali feature films including Godhuli, Ekata, Badmas, Luv Sab, Lalteen, Happy New Year, Nepte, The Karma, and Bakamfushe Maya. Beginning his career as a chief assistant director in the 1990s, he transitioned into full directorial work with Godhuli (2003) and steadily built a portfolio that spans commercial entertainers, social dramas, and modern romantic films. His multi‑role involvement—direction, story, screenplay, choreography, and production—positions him as one of the versatile contributors to contemporary Nepali cinema.