Ujjwal Saagar

A Name who has over the years established himself as a genuine contender for the ‘best thing to happen’ to Nepali Sangeet in recent times is Alok Shree. One such name who has over the years established himself as a genuine contender for the ‘best thing to happen’ to Nepali Sugam Sangeet in recent times is a musician of immense reputation, Alok Shree. So, it did not come as a surprise when he was deservedly awarded by 'Narayan Gopal Smriti Prathisthan' with the prestigious 'Naryan Gopal Smriti Samman award' for his contributions. Alok Shree, who has launched over a dozen successful singers is also credited for rejuvenating the once sagging careers of singers with the likes of Ramkrishna Dhakal and Yam Baral topping the list. His musical prowess, however, has not been limited within the confines of Nepal for he in the past has been instrumental in bringing the legendary Indian ghazal singer Jagjit Singh into the forefront of Nepali music, not to mention Udit Narayan Jha often singing to his tunes.

Early Life Narahari Premee was born in Kushma- Parbat Nepal and developed a passion for music at a young age. He pursued his musical dreams with dedication and hard work, eventually making a name for himself in the Nepali music industry. Career Highlights Debut Song: "Raktadaan Jiwandaan" with Sumina Lo, a motivational song emphasizing the importance of blood donation. Popular Songs: "Timilai Herera" featuring Pragya Adhikari, "Mayale Maryo" with Gayatri Thapa, "Ke Hunchha Khai" with Pragya Adhikari, and "Timilai Nai Samjhirahanchhu" with Pragya Adhikari. Versatility: Known for his versatility in various genres, including romantic, motivational, and traditional Nepali songs. Achievements Chairman at Shruti Sangeet Vidhyalaya: Narahari has been serving as the Chairman at Shruti Sangeet Vidhyalaya in Putalisadak since 2002. Music Instructor: He has been a music instructor, composer, and singer since 2000 AD. Narahari Premee has touched the hearts of millions with his voice and has proven his talent in the Nepali music industry. His dedication to his craft and his ability to connect with his audience have made him a beloved figure in Nepali music. Narahari Premee continues to inspire and entertain his fans with his musical talent and dedication to his craft. 🎶

V. Balsara (Vistas Ardeshir Balsara) is revered as the first music director of Nepali cinema and the pioneering architect who shaped the earliest sound, rhythm, and emotional identity of Nepali film music. His compositions for Aama (1964), Nepal’s first feature film produced in Nepal, established the musical soul of an entire industry.Born in India and trained under legendary maestros such as Ustad Mushtaq Hussain, Master Ghulam Haider, and Khemchand Prakash, Balsara began his musical journey in 1942 with the Hindi film Badal. He became an independent music director with Circus Girl (1943) and went on to compose for 32 Bengali, 12 Hindi, and 3 Nepali films, along with more than 200 albums, showcasing mastery over piano, melodica, Univox, and several other instruments.His entry into Nepali cinema came when director Hira Singh Khatri decided to record the music of Aama in Calcutta. Balsara not only composed the first Nepali film songs but also introduced and shaped the voices of Shiv Shankar Manandhar, Tara Devi, and Pushpa Nepali in playback singing. His melodies for the lyrics of M.B.B. Shah and Laxman Lohani gave Nepali cinema its first musical fragrance.He returned for Hijo Aaja Bholi and later Parivartan, a landmark film that truly transformed Nepali film music. Through Parivartan, Balsara brought Narayan Gopal into playback singing, introduced Mira Rana, expanded Tara Devi’s musical range, and collaborated with writers like Chetan Karki and Tirtha Shrestha.The song “Bujhnai Sakenau Timile Mero Aankha Ko Bhaka” became an immortal milestone in Nepali film music, while “Bainiko Daya Chha Bhane Rodhigahr Dai Nachyo Nabhane” blended folk essence with cinematic sound in a groundbreaking way.Quiet, visionary, and deeply devoted to his craft, Balsara shaped not only melodies but also artists, opportunities, and the very direction of Nepali film music. His contribution remains foundational—etched in gratitude and golden memory.He passed away on 23 March 2005, but his melodies continue to echo as the first sweet remembrance of Nepali cinema’s musical journey.

Gopal Yonjan (1943–1997) was a towering figure in Nepali music—an accomplished singer, lyricist, music director, arranger, flutist, and multi-instrumentalist. Born in Darjeeling, India, he began his musical journey with the flute, winning accolades as a young performer. His deep study of Nepali folk, Rabindra Sangeet, and classical traditions shaped a career that spanned over three decades and more than 2,000 compositions. Yonjan moved to Kathmandu in 1967 to pursue his MA in Nepali and taught music at prestigious schools while composing for Radio Nepal, Nepal Police Club, and films. His partnership with Narayan Gopal is considered the golden era of Nepali modern music. He was known for blending poetic depth with rich orchestration, often writing, composing, and arranging his own songs. His works spanned genres—patriotic, romantic, philosophical, spiritual, and children's music. He was honored with the Gorkha Dakshin Bahu, Chinnalata Song Award, and multiple Best Music Director titles. His legacy continues to inspire generations of musicians and listeners.