Tej Giri

Razz is a Nepali actor, model of Nepali music video , who is well known after the  music video priya timro, karent lagchha , budhi ko kach kach,pachhaury ko cheau,otha ma timro,furkey junga ,yesto pani jindagi,maya ko sanshar,barkhe jhari,maya gare timilai,Dharahara ma basyo maya jaal,pardeshma mayalule wow bhannechhan,Eutai chahana

B.S. Rana is a veteran Nepali actor celebrated for his commanding presence and memorable character roles across several decades of Nepali cinema. Known for his natural performance style and disciplined craft, he has appeared in many acclaimed films, contributing depth to social dramas, family stories, and commercial hits alike. Rana’s work in classics such as Basudev, Prem Pinda, Chino, Dakshina, Kanyadan, Muna Madan, and Dharma Sankat helped establish him as one of the industry’s most reliable senior actors. His enduring career reflects a rare combination of versatility, professionalism, and a deep commitment to Nepali storytelling.

Badal Bhatta is a talented theatre artist, movie actor, and director from Itahari, Nepal. Born on January 5, he has made significant contributions to the Nepali entertainment industry, particularly in theatre and film. His dedication to storytelling and performance has earned him recognition among audiences and peers alike. Filmography One of the notable films featuring Badal Bhatta is "Babari" (2022), directed by Surendra Poudel. The movie starred Dhiraj Magar, Aditi Budhathoki, Dhiraj Nadkar, Kamal Mani Nepal, and others alongside Bhatta.

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.