Surbir Pandit

Laxminath Timalsina is a Nepali film actor active since 2018, known for his appearances in commercial and character‑driven cinema, including roles in Damaru Ko Dandibiyo (2018), Lily Bily (2018), Bir Bikram 2 (2019), and upcoming titles such as Mohar (2025) and Feri Resham Filili (2025). His growing presence in mainstream films reflects a steady rise supported by versatile supporting performances and a relatable on‑screen persona. Timalsina is also featured in the ensemble cast of Gobar Ganesh (2026), further expanding his footprint in contemporary Nepali cinema. Active across both film and comedy‑drama platforms, he represents a new generation of actors contributing consistent, grounded performances to Nepal’s evolving film landscape.

Anu Khadka is a Nepali model and actress. She has acted in 2 dozen music videos and some telefilms. She also has experience working in some commercials. She has dreamed of becoming an actress in a movie when she gets a good offer.

Puskar Gurung is an actor, known for The Man from Kathmandu Vol. 1 (2019), Saili (2019), Sano Sansar (2008), Mr. Jholay (2017), and kabaddi serease and more nepali movies. Pushkar Gurung is the director of DABALI Theater. He is also a Committee Member of Dolakha Film City.

Bishal Pahari (born May 28) is a Nepali film actor and character artist known for his natural screen presence and steady rise in the industry. Active since 2018, he quickly built his identity through impactful supporting and lead roles. His breakthrough came with “Ramkahani” (2018), followed by notable performances in “Sano Mann” (2019), “Lappan Chhappan 2” (2020), “Chapali Height 3” (2022), “Bihe Pass” (2022), and “Welcome to Hemjakot” (2023). Beyond films, Pahari has appeared in TV serials, stage plays, and music videos, expanding his versatility. His growing filmography includes additional titles such as “Aincho Paincho” (2023) and “Antim Sanskar: The Last Ritual” (2023), along with upcoming projects like “Pitaambar,” “Gunyo Cholo: The Dress,” “Jante Bakhro,” and “Rangi” (2025).