Suraj Nepal

Jay Prakas Joshi (JP) is a Nepali tabla player and performing musician known for his rhythmic precision, classical grounding, and versatile accompaniment style across live stages and studio sessions. Active in Nepal’s contemporary music circuit, he represents a generation of musicians who blend traditional tabla techniques with modern performance settings, supporting singers, folk ensembles, and fusion acts.JP is recognized for his steady presence in live concerts, cultural programs, and collaborative musical projects, where his playing adds depth, timing, and emotional texture. His work reflects a commitment to preserving classical rhythmic traditions while adapting them for today’s diverse Nepali musical landscape.

EXPERIENCE Former Violin Teacher at St.Mary's High School,Jawalakhel 2017 - Present Former Music Teacher at Blood and Thunder Music Academy 2016 - Present Violin Teacher at Occidental Public School Jun 2019 - Present Former Violin Teacher at Gloria Secondary School 2018 - Present Violin Teacher at Nobel Academy Secondary School 2017 - Present Violin Teacher at Salvation Music Center 2017 - Present

JB Lama is one of Nepal’s senior and most respected flutists, widely recognized for his decades‑long contribution to Nepali modern, folk, and film music. He has collaborated with legendary icons including Narayan Gopal, Gopal Yonjan, Nati Kaji, Fatteh Man, and many others, shaping the sound of Nepali music across multiple eras. Lama is also credited with creating his own flute‑playing pattern, a stylistic signature still followed by many contemporary flutists.

Mukesh Shakya is a young Nepali tabalist and classical musician, known as a disciple of the late maestro Rabin Lal Shrestha. He has performed in classical music sessions organized by the Society of Classical Music Nepal, including their 76th session, where his tabla playing was featured and praised for its precision and depth. Mukesh represents a new generation of Nepali classical artists dedicated to preserving and evolving traditional forms like tabla and Hindustani music. His training under Rabin Lal Shrestha places him in a respected lineage of percussionists, and his public performances reflect a growing commitment to Nepal’s classical music scene