Sriya Singh

Shardda Silwal is a Nepali dance teacher, actor, and former senior dance director known for her long service at the Cultural Corporation (1992–2023). Over three decades, she trained students across multiple schools, specializing in classical, folk, and contemporary Nepali dance. Her work includes stage choreography, cultural program direction, and mentoring young performers who later entered professional arts. Alongside teaching, she has also contributed as an actor, appearing in cultural productions and performance‑based projects.

Sarita Bhandari is a Nepali film and telefilm artist recognized for her natural acting style and her ability to portray relatable, emotionally grounded characters. Active across telefilms, TV serials, and feature films, she has built a reputation for delivering sincere, character‑focused performances that support narrative depth. Bhandari’s work reflects the everyday experiences of Nepali life, making her a dependable presence in both mainstream and independent productions. With a growing body of screen work, she continues to contribute to the evolving landscape of Nepali cinema and television.

Barsha Siwakoti is a versatile Nepali actress and model recognized for her natural charm, graceful performances, and strong presence in both commercial and critically acclaimed films. Born on 6 April 1993, she entered the industry through modeling and music videos before making her film debut in Nai Nabhannu La 2 (2014). Her breakthrough came with Pashupati Prasad (2016), earning her a FAAN Award nomination for Best New Actress.She has since appeared in a wide range of genres—from action‑comedy to drama—solidifying her reputation as a dependable and expressive performer. Beyond films, she is active in brand endorsements, music videos, and social campaigns, maintaining a strong public following.

Bheema Mainali is a Nepali film actress active since 2012, known for her roles in mainstream feature films such as Samjhirakha Hai (2012), Alvida (2015), Teen Ghumti (2015), How Funny (2016), and Love Love Love (2017). She continues to appear in contemporary cinema, including the 2025 release Khel, expanding her presence across commercial Nepali film.