Sikha Malla

Shiva Shankar Manandhar (1932–2004) was a legendary figure in Nepali music and cinema, celebrated for his versatility as a singer, composer, and actor. Born in Newroad, Kathmandu, to a musically inclined Newar family, his early exposure to classical Newari songs through his father, Man Bahadur, laid the foundation for his lifelong devotion to music. He joined Radio Nepal in 1951, where he collaborated with Nati Kaji to shape the golden era of Nepali music. Over his prolific career, he composed around 1,200 songs and sang nearly 300, spanning genres like love ballads, bhajans, patriotic anthems, and tragic melodies. His compositions for artists such as Narayan Gopal, Tara Devi, and Aruna Lama remain timeless. 🎬 In cinema, Shiva Shankar played the lead role of Lahure Dai in Aama (1964), Nepal’s first feature film. Though he didn’t pursue acting further, he composed music for several early Nepali films, contributing to the industry's formative sound. 🎶 Sadabahar (Evergreen) Songs: Aama ko sapana – a heartfelt tribute to motherhood Yo Nepali shir uchali – a patriotic anthem Timro lagi ma birsine – a romantic classic His music blended folk traditions with orchestral arrangements, pioneering modern Nepali pop while preserving cultural authenticity. Shiva Shankar received numerous national honors and served as Executive Director of Ratna Recording Corporation (1987–1991). Even post-retirement, he remained a guardian of Nepal’s musical soul.

Simpal Khanal is a Nepali actress, model, and former VJ known for her charm and versatility in film, television, and fashion. She debuted in the film Majhi Dai and gained popularity through music videos, TV serials, and modeling campaigns. Simpal hosted shows like Hit Mix on Nepal Television and Bhabishya Darpan on Kantipur TV. She also appeared in advertisements and fashion shoots, becoming a recognizable face in the early 2010s. After marrying UK-based Nadeem Sarwar in 2016, she stepped away from the Nepali entertainment scene. Her filmography includes Majhi Dai and several short films and music videos

Narendra Thapa is a Nepali film actor best known for his villainous and character roles across more than three dozen feature films, making him one of the recognizable antagonistic faces of the 1990s Nepali cinema era. Active from the late 1980s onward, Thapa appeared in several major commercial and socially themed films, often portraying antagonists, corrupt officials, or powerful enforcers. His screen presence, sharp dialogue delivery, and intense expressions made him a frequent casting choice for negative roles.His filmography includes notable titles such as Yug Dekhi Yug Samma (1991), Kasam (1992), Prem Pinda (1993), Nata (1994), Balidan (1997), Aandolan (1997), Dautari (1998), Chhahaari (1998), Thuldai (1999), Hatya (1999), Namaste Nepal (2015), Destination Kathmandu (2018), and Chhakka Panja 5 (2024).In addition to acting, Thapa has also worked behind the camera as the director and story writer of the film Desh Dekhi Bidesh (2008).Across his career, he became known for portraying villains who were not just violent but layered—reflecting the political, social, and emotional tensions of the era. His roles in films like Balidan, Aandolan, and Prem Pinda placed him within some of the most culturally significant Nepali films of the 1990s.

Kiran D.C. is a former Nepali film actress who was active in the Nepali film industry during the 1990s. She appeared in several Nepali motion pictures and was among the actresses contributing to the growth of Nepal's cinema industry during that period.Available film archives and cast records identify her as a performer in films such as Soon Chandi (1996) and Chandal (1998). Through her screen appearances, she became part of an era that helped shape modern Nepali cinema.Although detailed information about her personal life, early background, and career journey remains limited in publicly available sources, her work in Nepali films of the 1990s continues to be preserved through film archives and historical records. As one of the actresses associated with that generation of Nepali cinema, Kiran D.C. remains a recognizable name among enthusiasts of classic Nepali films