Rupesh Shakya

Dewasish Tamang is a Nepali lead guitarist, musician, and session performer known for his expressive playing style, technical clarity, and versatility across modern, pop, fusion, and instrumental music. He gained national visibility as a finalist in the Deepak Moktan Guitar Competition (DMGC) 2018/19, where he delivered multiple high‑level performances using ESP/LTD guitars and professional multi‑effects processors. According to the competition profile, Dewasish works as a freelance musician and session guitarist, has been involved with Nepal Idol and The Voice of Nepal as a backup musician, and has toured across Nepal and abroad.

Rupesh Singh Gurung is a Owner at Harmony Records. Drummer And Percussionist At Nepal Idol Season 1, 3 & 4. Drummer at The Voice of Nepal season 1.

Ashesh Dangol, often hailed as the “Himalayan Hendrix,” is a trailblazing Nepali blues-rock guitarist, singer, and composer whose electrifying performances have earned him international acclaim. The nickname was bestowed upon him during his 2010 European tour by the Norwegian and German press, recognizing his fiery guitar style reminiscent of Jimi Hendrix. He is the frontman of the band Ashesh and Nekhvam, which fuses traditional Nepali sounds with blues and rock, creating a unique sonic identity that bridges East and West. His music often carries themes of peace, cultural pride, and social consciousness. Ashesh has performed at major festivals and venues across Europe, the U.S., and Asia, representing Nepal on global stages. His live shows are known for their raw energy, soulful improvisation, and deep-rooted connection to both blues traditions and Nepali heritage.

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.