Ratna BIshwakarma

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Nepal has many flautists but no one has completed his Masters in flute-playing as has Jeevan Ale, He completed his Masters from the Prayag Institute of Illahabad, India. Having devoted more than half of his life to classical music, this resident of Mahottari has finally received accolades for his efforts. Though interested in flutes from an early age, Ale says that he only understood the intensity of its music when he started studying it. he was more involved in the academic side of music rather than the practical. He taught at Kathmandu University and also gave private tuitions.

Durga Prasad Khatiwada is a renowned Nepali bansuri (flute) maestro, educator, and cultural ambassador, originally from Ilam. A graduate of Banaras Hindu University with a Master’s in Flute (2003), he has performed in over 20 countries, representing Nepal at prestigious events—including during state visits by leaders like Xi Jinping and Narendra Modi. Khatiwada is a music officer at Rastriya Nachghar and has taught classical music at institutions like Lalit Kala Campus and Sirjana College of Fine Arts. He pioneered flute education in Nepal’s higher education system by developing formal curricula. His international teaching includes sessions in Norway, Sweden, Germany, and France. Inspired early on by Gopal Yonjan, Khatiwada has dedicated his life to promoting classical music as the foundation of all musical forms. His performances and teachings emphasize peace, discipline, and cultural identity, making him a vital figure in Nepal’s musical heritage.

Prem Rana Autari is a renowned Nepali flutist celebrated for his classical foundation, global performances, and lifelong contribution to Nepali music. He began exploring musical scales at age ten and traveled to India at twelve to study classical flute for six years under world‑famous maestro Pandit Hari Prasad Chaurasia. His professional debut came at fifteen with an orchestral ensemble in Bombay, the center of Indian film music. After years of performing across India and working with All India Radio, he returned to Nepal at twenty to promote Nepali music. He served nine years at Radio Nepal and ten years at the Royal Nepal Academy, establishing himself as a leading flutist. Autari has performed worldwide with the classical group Sursudha and represented Nepal as a soloist at the World Expo in Australia (2000)