Raju Singh

Prabhavan J a multi interested personality had passed his Vocal test for Radio Nepal in B.S 2052, (1995 A.D).  He is a musician- composer, lyricist, singer and a script writer who has played a role in popularizing Nepali music with most of his songs containing social messages. His Music Video direction has enriched the world of music and enthralled the audiences with his masterful artistry. Their soulful rendering has brought solace to many a heart. He is admired for his spontaneously scribbling words and presenting it beautifully with soothing music and heart touching videos. He has struggled to keep his interest alive in Nepali folk songs, romantic songs, social awareness songs etc. He also gives back ground music to popular tele serials etc. His love for music on one hand and love for the country on the other has made him create his own space to get out of the commercial world to do something different which helps to bring about awareness among people on social issues and at the same time entertain. He is particular on the projects that he wants to get involved with. He believes in Perfection at work which has been his identity and always likes to remain in low Profile. Besides music he is also involved with movie direction.  He is working with some living Legends for projects on National Interest.

Nischal Basnet is a celebrated Nepali director, actor, writer, and playback singer known for revolutionizing modern Nepali cinema. Born on January 17, 1980, in Birtamod, Jhapa, he studied film at Oscar International College. His directorial debut Loot (2012) became a cult hit, followed by acclaimed films like Talakjung vs Tulke (2014) and Loot 2 (2017). As an actor, he starred in Kabaddi Kabaddi, Dui Rupaiyan, and Prasad. Known for blending realism, dark humor, and social commentary, Basnet is married to actress Swastima Khadka. His work continues to shape the narrative and technical evolution of Nepali cinema.

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.