Rahul Bhujel

Dev Rana, one of the most iconic drummers of Nepal was born on June 18, 1952 in Sungai Petani, Malaysia. Rana has entertained the music lovers for almost five decades and has massive respect from the audiences as well as today's rockstars.

Kiran Nepali, a renowned Sarangi player from Nepal, is a member of the folk band Kutumba. He is a third generation Sarangi player in his family, and explains that he is greatly influenced by his grandfather, father and uncles, who were all Sarangi players of their times.

Prince Nepali is a fourth-generation Nepali sarangi player and educator. He has made significant contributions to preserving and promoting traditional Nepali folk music through his exceptional skills and dedication. Career Highlights Sarangi Player: Prince Nepali is known for his mastery of the sarangi, a traditional Nepali string instrument. He has performed with various artists and bands, including Bipul Chettri, Ani Choying Drolma, and Sujan Chapagain. Educator: He runs classes at Sarangi Ghar, where he teaches the next generation of sarangi players and works to preserve traditional Nepali music. Fusion Band: Prince Nepali co-founded the Nepali-American folk fusion band Manaslu Blue, blending Appalachian Bluegrass with Nepali folk music

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.