Priyana Acharya

Bina Basnet (Budhathoki) is a Nepali film actress active since the mid‑1980s, known for her expressive performances across social dramas, romantic films, and character‑driven roles. With a career spanning more than two decades, she has appeared in over 20 feature films, including notable titles such as Basudev (1984), Deuki (1993), Kasam (1992), Aadhi Beri (1992), Saugat (1992), Jhuma (1991), Mohani (1994), Ragat (1997), and Sukumbasi (2000).

Nishma Ghimire is a Nepali actress who entered the film industry through the feature film Rhythm, after first appearing in various Nepali music videos. Known for her expressive screen presence and soft, youthful acting style, she became visible in the early 2010s as part of the new wave of actresses transitioning from modeling and music videos into mainstream cinema. Before her film debut, she worked in multiple romantic and modern‑themed music videos, which helped her gain recognition among young audiences.Although Rhythm introduced her to the big screen, Nishma continued to appear selectively in film and media projects. Over time, she gradually stepped back from the Nepali film industry and is currently not active in mainstream cinema.

Sharon Sherpa is a Nepali actress, model, and dancer known for her graceful screen presence and early success in beauty pageants, winning Miss Beautiful 1996 and Miss Catwalk at Miss Nepal 1996. She entered Nepali cinema with the film Chamatkar, appearing alongside Rajesh Hamal, and continued her acting journey with roles in Sikhar opposite Shree Krishna Shrestha, Rajendra Khadgi, and Gagan Birahi. Active across modeling, dance, and film, Sherpa is recognized for her versatility and contribution to the 1990s–2000s era of Nepali entertainment.

Srijana Basnet is a veteran Nepali actress best known for her breakout role in the blockbuster Deuta (1993), where her performance brought her into national prominence. She began her career in the early 1990s and quickly became a familiar face in commercial Nepali cinema. After the passing of her husband, producer Biju Ranjit, she stepped away from films but later returned with renewed dedication, transforming herself physically and professionally. She expanded her creative range by directing and producing the film Good Luck, taking on multiple roles both behind and in front of the camera. Her career reflects resilience, versatility, and a lasting contribution to Nepali film culture.