Nutan Pradhan

Pramod Agrahari is a prominent Nepali film artist known for his intense screen presence, grounded performances, and commitment to socially rooted storytelling. Emerging from theatre and independent cinema, he gained recognition through acclaimed films such as White Sun (Seto Surya), Kalo Pothi, Bulbul, Aama, and Gopi, where his naturalistic acting style brought emotional depth to complex characters. Agrahari has become a leading figure in Nepal’s new‑wave cinema, frequently collaborating with directors who explore political, cultural, and human‑centered narratives. His work reflects a blend of discipline, realism, and artistic integrity, establishing him as one of the most respected contemporary actors contributing to the evolution of modern Nepali filmmaking.

Sushanta Kumar Shrestha is a veteran Nepali film actor best known for his powerful portrayals of negative and villain characters in Nepali cinema. Active for decades, he has appeared in dozens of feature films, earning recognition for his intense expressions, strong dialogue delivery, and commanding on‑screen presence.Shrestha belongs to the generation of actors who helped shape the classic era of Nepali commercial films, where villain roles demanded physicality, emotional weight, and dramatic impact. His performances often brought depth to antagonistic characters, making him a memorable face in many action‑drama and social‑themed movies.

Manish Niraula is a Nepali film actor known for his grounded, naturalistic performances in contemporary cinema. Active since 2017, he is best recognized for his roles in Dhanapati (2017) and Dokh (2022), where he portrayed Ronit. His filmography also includes Aama (2020), reflecting a steady presence in character‑driven Nepali films.

Shivam Adhikari is a prominent Nepali screenwriter, director, and dialogue writer active in the film industry since the early 2000s. Credited across more than 60 films as story, screenplay, and dialogue writer—and at times as director, lyricist, and cast member—he has worked on titles such as Meri Aama (2004), Swabhiman (2010), Sanglo (2019), Kopila (2020), and the recent Pariwartan (2026). His writing has earned multiple major award nominations, including for Panchayat and Parai, establishing him as one of contemporary Nepali cinema’s key narrative architects.