Narendra Bataju

Prem Rana Autari is a renowned Nepali flutist celebrated for his classical foundation, global performances, and lifelong dedication to Nepali music. Born with a natural affinity for melody, he began exploring musical scales at the age of ten and traveled to India at twelve to study classical flute under world‑famous maestro Pandit Hari Prasad Chaurasia. His six years of rigorous training shaped the technical mastery and expressive depth that later defined his signature sound.Autari made his professional debut at fifteen with an orchestral ensemble in Bombay, performing in the vibrant center of Indian film music. He went on to work with All India Radio, gaining recognition for his refined tone and versatility. Returning to Nepal at twenty, he devoted himself to elevating Nepali music, serving nine years at Radio Nepal and ten years at the Royal Nepal Academy, where he became a leading figure in instrumental performance and musical education.He later performed worldwide with the classical ensemble Sursudha, representing Nepal on international stages, including as a soloist at the World Expo in Australia (2000). His artistry blends classical discipline with Nepali melodic sensibility, making him one of the most respected flutists of his generation.

Pramod learnt tabla at home from his father Pundit Hom Nath Upadhyaya. Drawing inspiration from his maestro father Pramod started playing tabla when he was a toddler and at the age of five he performed at then Royal Nepal Academy (now Nepal Academy) which was his maiden show. His first abroad tour was for the German Unification Day in Germany. He had also an opportunity to learn tabla from legendary Ustad Alla Rakha from an institute named after the Ustad himself in Bombay, India. Incidentally, Pramod also had an opportunity to learn from Ustad Zakir Hussain for three months as the maestro happened to be a visiting faculty at the institute. Pramod is adept in all percussions made of leather. Besides that, he has worked as a recordist in many studios in Nepal. But, his fame is not confined as a musician or a recordist either; he has also lent his voice to many popular songs. Pramod was affiliated to Sukarma since its inception and has been playing in the group for ten years now.

Suresh Raj Bajracharya is one of Nepal’s foremost sarod maestros, known for his deep devotion to classical music and his role in preserving the rich heritage of Hindustani instrumental traditions. With over three decades of experience, he has become a revered figure in Nepal’s music scene, performing at venues like Yala Mandala and collaborating with artists such as Laxmi Prasad Dangol and Mannu Shahi. His compositions—like “Intransient Nature”, “Childhoodness”, and “Jaya Namah Shree Buddha”—blend meditative ragas with spiritual depth. Bajracharya is also known for his unique offering to the Living Goddess Kumari, where he sought to teach her the sarod as a gesture of cultural devotion. His albums, including The Nature, are available on platforms like Deezer. Through teaching, composing, and performing, Suresh Raj Bajracharya continues to inspire a new generation of classical musicians in Nepal and beyond.

Nhuche Bahadur Dangol is a distinguished Nepali folk music educator, researcher, and multi‑instrumentalist, widely respected for his lifelong contribution to preserving and teaching Nepal’s traditional musical heritage. As an Associate Professor at Tribhuvan University, he has dedicated more than 36 years to teaching Nepali folk music, folk musical instruments, and traditional folk tunes to new generations of Nepali students.His career reflects a rare combination of academic depth, practical musicianship, and cultural stewardship. Dangol has played a central role in documenting, teaching, and transmitting the musical traditions of Nepal’s diverse ethnic communities. His classroom work, field knowledge, and performance experience have shaped thousands of young musicians, many of whom now serve as performers, teachers, and cultural ambassadors.Known for his mastery of multiple Nepali folk instruments, Dangol emphasizes authentic technique, historical context, and cultural meaning in his teaching. His approach blends scholarship, performance, and preservation, making him one of the most influential figures in Nepali folk music education.Through decades of service at Tribhuvan University, he has contributed to curriculum development, academic research, and the institutional recognition of Nepali folk music as a formal discipline. His work continues to strengthen the identity, continuity, and global appreciation of Nepal’s musical heritage.