Narendra Bataju

Rabin Lal Shrestha is a Nepali tabla virtuoso and music educator known for his contributions to classical and devotional music in Nepal. Born in Kathmandu, he has been a leading figure in preserving and teaching the tabla tradition for several decades, both as a performer and as a mentor to young musicians. Key facts Birthplace: Kathmandu, Nepal Primary Instrument: Tabla Teaching Position: Lalit Kala Campus, Bhotahiti (since 1989) Notable Albums: Tabla Solo, Grand Rehearsal Collaborations: Suresh Raj Bajracharya (sarod), Prabhu Raj Dhakal (vocals) Musical training and influences Shrestha began studying tabla at the age of ten, inspired by bhajans sung by his father. His early training was under Sadhuram Manandhar, followed by advanced tutelage from Ganesh Raj Wonta, Nara Raj Dhakal, Homnath Upadhyaya, and Sambhu Prasad Misra. This diverse lineage grounded him in the North Indian classical tradition while connecting it to Nepal’s own devotional music culture. Teaching and mentorship Since joining Lalit Kala Campus in 1989 after three years at Holy Garden School, Shrestha has educated generations of students through structured intermediate and diploma programs. His classes maintain a rigorous schedule, emphasizing rhythm discipline and improvisational skill. He is regarded as a key figure in institutionalizing tabla education in Nepal. Performances and recordings Beyond teaching, Shrestha regularly performs at Kathmandu’s Hotel Vajra in a long-running program titled Dafa. He has toured internationally—including performances in Europe with sitarists Tarabir and Bijaya Vaidya—and released two albums: Tabla Solo, accompanied by his instructional book Dafa, and Grand Rehearsal. His work bridges traditional and contemporary interpretations of tabla music. Legacy Rabin Lal Shrestha continues to inspire Nepal’s younger generation of classical musicians. His dual role as performer and educator has made him a cornerstone of the country’s evolving Hindustani percussion scene, ensuring the tabla’s rhythmic heritage remains vibrant in modern Nepal.

Rahul Bhujel (राहुल भुजेल) is a versatile Nepali keyboardist, composer, and music arranger whose work spans across some of Nepal’s most prominent music platforms and bands. With a career rooted in both live performance and studio production, he has become a familiar name in the contemporary Nepali music scene. Highlights of His Musical Journey: 🎹 Keyboardist for major platforms like Mero Voice Universe and Nepal Idol, where he contributes to live arrangements and sound design 🎶 Performer with Pramod & Parampara and Lhasso Musical Band, showcasing his adaptability across genres from pop to folk fusion 🎧 Studio Manager at The Caravan, where he oversees music production and collaborates with a range of artists 📻 Former RJ at Radio Kantipur, reflecting his early engagement with Nepal’s media and music broadcasting scene

Kundan Shah Shankar (कुन्दन शाह शंकर) is a talented Nepali tabla player and percussionist known for his deep-rooted connection to classical rhythms and his dynamic presence across Nepal’s major music platforms. He has earned recognition through his performances on shows like Nepal Idol, The Voice of Nepal, and Mero Voice Universe, where his tabla artistry adds a rich traditional layer to contemporary arrangements. He is also the host of “Rhythms of Tradition with Kundan Shah Shankar,” a musical series that celebrates classical and folk percussion, often featuring collaborations with vocalists and instrumentalists. His playing style blends precision with expressive flair, making him a sought-after accompanist in both studio recordings and live concerts.

Saran Kumar Pradhan (1943–1974) was one of Darjeeling’s most gifted lyricists, composers, and mandolin virtuosos, shaping the golden era of modern Nepali music. Born on 4 May 1943, he grew up in a culturally vibrant Darjeeling and taught himself banjo, harmonium, and mandolin with remarkable mastery. A science graduate from St. Joseph’s College, he later taught at St. Robert’s School, where he also composed the school anthem. A student of maestro Amber Gurung, Saran emerged as a leading figure of Adhunik music alongside Aruna Lama, whom he married in 1963. Their partnership produced timeless classics such as “Yaha Ful Nakhili Cha,” “Sabaile Bhanthe,” “Hera Na Hera Kancha,” and many others. His music club Sangeet Sangam became a creative hub that nurtured Darjeeling’s finest talents. Saran passed away in 1974 at just 31, leaving behind a luminous body of work that continues to define Nepali musical heritage.