Milesh Tandukar

Bhawanicharan Das – Singer (Early Recording Era)Bhawanicharan Das is listed as an Early Recording Era artist with 2 recorded songs from BS 1992 (AD 1935/1936). Further personal and musical details remain incomplete.

Navras Shrestha is the founder, lead vocalist, guitarist, lyricist, and composer of The Lakhey, Nepal’s pioneering Newa (Newari) metal band based in Kathmandu. Known for blending traditional Newar musical elements with the power and edge of metal, Navras has carved out a space for a truly indigenous and modern sound that speaks both to cultural identity and musical evolution. His first Newa metal song, Dhampa Tacha, was recorded in 2005—a bold and groundbreaking transformation of a Newa rap piece into a heavy, guitar-driven anthem that laid the foundation for what would become the Newa Metal genre. Over the years, Navras has created and performed a variety of original songs and covers that showcase his wide-ranging musicality. Tracks like Jeevan, Miss Julie (a fully home-recorded, arranged, mixed, and mastered song), and Ae Kancha (a duet cover with a female vocalist) reflect both his technical abilities and his emotional range as a musician. His reimagining of Malshree Dhun—a revered Newari and Nepali traditional piece—is particularly notable for incorporating Spanish and Indian Rajasthani techniques and a touch of Hindustani classical flavor with heavy drumming, giving the folk tune a new life in a contemporary soundscape. Navras’s musical curiosity extends beyond local traditions—he has embraced songs in foreign languages, including a Georgian piece (Erti Nakhavit by Chveneburebi), while also composing original works like Swagta Mu Hai Nheeaye in Nepal’s Thakali language. In 2022, Navras completed his Master of Fine Arts in Music with a focus on Hindustani Classical music. During this time, he developed a deep interest in songs from various ethnic and regional backgrounds of Nepal. Rather than simply studying them academically, Navras has immersed himself in the melodies, rhythms, and stories found in songs of Nepal Bhasa (Newar), Charya (ritual Buddhist music), Tharu, and Limbu and other indigenous languages. He is currently preparing to record and preserve these culturally significant pieces with modern arrangements—ensuring their continuity and relevance for future generations. His academic contribution is also noteworthy. For his master’s thesis, Navras conducted in-depth research on Dapha music (Asan Bajan Guthi). His thesis has since become a valuable resource for members of the Guthi and other musicians who are interested in traditional music. The work not only documented the artform but also shed light on the present condition and challenges faced by the community in keeping their musical heritage alive. While music is his core identity, Navras Shrestha is also a skilled Full Stack Web Developer by profession and currently works at GTA Nepal. His ability to balance a demanding tech career with an expansive artistic practice speaks to his discipline and creativity. In addition, he is deeply passionate about photography and videography. From capturing evocative model portraits to creative visual storytelling, his visual work complements his music, allowing him to express his artistry across multiple forms. Whether through metal riffs rooted in Newa culture, folk songs from across Nepal’s diverse communities, world music explorations, or visual compositions, Navras Shrestha stands out as a multi-talented, cross-disciplinary artist. He continues to inspire others not just with what he creates, but with how he connects deeply to culture, community, and creativity.

Kishan Gurung, affectionately known as Kris, is a Nepali folk-pop singer known for his evocative voice, heartfelt lyrics, and emotional storytelling. Though born in Punjab, India, Gurung was raised in Nepal from the age of two, where his connection to the country’s culture and music deeply shaped his artistic identity. While his early life revolved around sports and a carefree youth, it was music that ultimately defined his path. His passion for singing emerged later in life, but once discovered, it quickly became the driving force of his creative journey. After settling in Gongabu, Kathmandu, he immersed himself in the local music scene, refining his craft and finding his unique voice. Musical Style and Themes As a folk-pop artist, Gurung blends traditional Nepali melodies with contemporary pop influences. His music often explores themes of love, longing, village life, and emotional resilience, resonating with listeners across generations. His ability to capture both nostalgia and modernity makes his songs deeply relatable and enduring.

Kiran Bhujel, a talented Nepali singer, gained recognition as the 2nd Runner-up in Nepal Idol Season 3. Hailing from the Mahottari District of Nepal, Kiran belongs to a middle-class family. His melodious voice and captivating performances left a lasting impression on the audience during the competition. Kiran has graced the music scene with several notable songs. Let’s explore some of his work: “Barilai” (बरीलै): A romantic-dancing track, Kiran Kumar Bhujel collaborated with artists like Paul Shah and Juna Sundas in this official music video. The song showcases his vocal prowess and expressive style. “Lolayeka X Yeti Dherai” (Cover): Kiran’s rendition of this song, originally by Ghulam Ali, resonates with listeners. The cover video features Kiran Bhujel and his sister Sia Bhujel. “Satya Ram Ram”: In collaboration with Eleena Chauhan, Kiran lent his voice to this presentation by Series Nepal. Kiran Bhujel continues to make waves in the Nepali music industry, captivating hearts with his soulful performances. 🎤🎶