Maheshkhadka

Everest Surya Bohara (born 15 October 1971, Dailekh, Nepal) is a prominent Nepali film director, writer, actor, and lyricist, known for combining strong social themes with mainstream storytelling. He began his artistic journey at 17 in Kathmandu’s theatre scene, where his talent earned him a prestigious one‑year government scholarship at the Royal Nepal Academy to formally study acting and theatre.After becoming one of the busiest stage actors, writers, and directors in Kathmandu, Bohara transitioned into screen work, initially focusing on socially conscious telefilms and low‑budget video projects dealing with issues like tuberculosis, leprosy, and HIV/AIDS. He made a powerful entry into feature films with Agni Parikshya (1990s), a major commercial success that ran over 51 days in cinemas across Nepal, followed by another hit, Kanchha, further cementing his reputation as a bankable and socially aware filmmaker.Over the years, Bohara has directed notable films such as Mutu, Thooli, Bhaire, Hello Jindagi, Shree, and Chameliko Poi, often contributing as writer and lyricist as well. His work has received multiple awards and festival recognitions, including a Best Director nomination at the D Cine Awards for Shree. Today, he is regarded as one of the key creative voices in contemporary Nepali cinema, balancing commercial appeal with human‑centered stories that reflect social realities.

Suraj Pandit is a powerful voice from Jumla, Nepal, known for his evocative songwriting, soulful singing, and socially conscious music direction. Born on February 23, 1991, in Maliabid-4, Chandannath Municipality, he rose to prominence with the viral hit “Railko Bato”, a song that poignantly captures the struggles of life in Karnali and the stark contrast with urban privilege. His music often blends folk and contemporary styles, with lyrics that challenge inequality and celebrate resilience. Suraj writes, composes, and performs many of his songs, including “Singha Durbar”, “Maya Basyo Jumla Bazaarma”, and “Tamra Manma”. Despite early hardships and working as a forest guard, he pursued music relentlessly, earning accolades like the Bindhyabasini Music Jury Award, Rara National Music Award, and Radio Kantipur’s Best New Singer.

Gopal Yonjan (1943–1997) was a towering figure in Nepali music—an accomplished singer, lyricist, music director, arranger, flutist, and multi-instrumentalist. Born in Darjeeling, India, he began his musical journey with the flute, winning accolades as a young performer. His deep study of Nepali folk, Rabindra Sangeet, and classical traditions shaped a career that spanned over three decades and more than 2,000 compositions. Yonjan moved to Kathmandu in 1967 to pursue his MA in Nepali and taught music at prestigious schools while composing for Radio Nepal, Nepal Police Club, and films. His partnership with Narayan Gopal is considered the golden era of Nepali modern music. He was known for blending poetic depth with rich orchestration, often writing, composing, and arranging his own songs. His works spanned genres—patriotic, romantic, philosophical, spiritual, and children's music. He was honored with the Gorkha Dakshin Bahu, Chinnalata Song Award, and multiple Best Music Director titles. His legacy continues to inspire generations of musicians and listeners.

Basanta Sapkota is a renowned Nepali music composer and lyricist who has significantly contributed to the Nepali music industry. He is known for his work across various genres, including modern Nepali songs, folk music, and film soundtracks. His compositions have played a vital role in shaping contemporary Nepali music. He has written and composed numerous hit songs, earning him recognition among music lovers in Nepal and beyond. Some of his well-known works include Rato Tika Nidharma, Barilai, and Yeta Ni Thikka. His ability to blend traditional Nepali sounds with modern influences has made his music widely appreciated.