Lekhnath Niraula

Gitanjali Sunwar is a Nepali film artist/actress active in the late 1980s and 1990s, known for her roles in three notable Nepali feature films.

Subarna Thapa is a Nepali film and theatre artist, internationally recognized for his work as a director, actor, and writer. Based in France since 1999, he works across cinema and theatre, shaping stories that blend Nepali identity with global artistic sensibilities. His creative foundation comes from theatre, which continues to influence the emotional depth and realism of his films.Thapa made his feature‑film debut as a director with Soongava: Dance of the Orchids (2012), Nepal’s first mainstream LGBTQ+‑themed film, which earned international acclaim and festival screenings. He went on to direct notable films including Fanko (2016), Fils (2014), Bato Muniko Phool 2 (2016), and the critically praised The Secrets of Radha (2022).As an actor, he has appeared in films such as Soongava (2012), Goodbye Kathmandu (2017), The Puppet (2021), and several short films, showcasing his versatility across dramatic and character‑driven roles.Thapa is also active in theatre arts, conducting workshops, mentoring young filmmakers, and collaborating on stage‑based storytelling projects. His long‑term association with the British Council’s “Script to Screen” initiative highlights his commitment to nurturing new Nepali voices in cinema.Today, Subarna Thapa stands as one of Nepal’s most respected cross‑disciplinary artists, bridging film, theatre, and international cinema with a distinct narrative voice.

Divya Neopaney is a Nepali film artist known for her expressive screen presence and her emerging work in contemporary Nepali cinema, including the 2026 feature film Prawasi Jiwan.

Prashamsa Subedi is a Nepali film artist who makes her on‑screen debut in the 2026 social‑drama Lalibazar, appearing alongside Swastima Khadka and Rabindra Singh Baniya. Introduced as a new face in Nepali cinema, she represents the emerging generation of performers entering the industry through socially grounded, character‑driven films