Kashi Ghale

Sindhu Malla is a renowned Nepalese singer celebrated for her versatile voice and contributions to Nepali music. Born in Shrigaun, Dang, Nepal, she began her musical career in 1997 and has since released over 20 solo albums and sung thousands of songs across various genres, including folk, modern, classical, and pop. Some of her popular tracks include "Sasuralima," "Chitikkai Bha Chhu Re," "Kafal Gedi," and "Teej Aayo." Sindhu Malla is also known for her involvement in social causes, such as anti-drug programs for children. She was one of the 365 artists who participated in singing the environmental song "Melancholy," which holds a Guinness World Record. Her dedication to music and social work has made her a beloved figure in Nepalese culture.

Sushant Ghimire is a rising Nepali singer-songwriter known for his introspective lyrics and soulful melodies. Originally from Biratnagar, he discovered his passion for music early on—singing Raju Lama’s “Timi Lai Dekhera” at a school event sparked his journey. Despite initially pursuing engineering and working full-time at a construction company, his love for music led him to perform cover songs and original compositions at bars in Kathmandu, often juggling gigs with his day job. His notable songs include: - “Mann Chari” – a poetic reflection on inner peace and freedom - “Bujhau Malai” – a heartfelt lyrical piece - “Feri Feri” – a tribute to love and friendship - “Eklo Mann” – written from a female perspective for the drama Kohi Kina Barbaad Hos Ghimire’s music blends emotional storytelling with a modern acoustic sound, resonating with listeners who appreciate authenticity and vulnerability.

Rajani Sharma is a Nepali actress active during the early 1980s, known for her roles in films such as Bansuri (1981) and Masaal (1985), where she appeared as one of the prominent female performers of the period. Beginning her screen career in the early decade, she became recognized for her expressive presence and participation in the emerging wave of Nepali cinema that blended regional storytelling with evolving commercial formats. Her work during 1981–1985 reflects a concise but memorable contribution to Nepali film, with Bansuri marking her early appearance and Masaal establishing her visibility in a cross‑border Nepali production backed by Sikkim Film Corporation.