Javed Shah

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Roshan Das is a Nepali film director, music video director, lyricist, actor, and content creator from Godaita, Sarlahi, Nepal. At the age of 23, he has established himself as one of the emerging young filmmakers in Nepal through his dedication, creativity, and perseverance. Before entering feature filmmaking, Roshan directed more than 70 music videos and wrote over 10 songs. His notable directorial works include Bayan, Aadat, and Ramāune Manchhe, while his songwriting credits include Aafnai Swartha, Naya Itihas, Bhool Bhayo, and songs for his debut feature film Pratibairam. Despite having no formal education in filmmaking, Roshan built his career through practical experience and self-learning. He began creating videos during the COVID-19 pandemic using his father's Android phone before progressing to professional productions. His journey has been defined by persistence, overcoming financial and industry challenges while pursuing his passion for storytelling. His work has earned recognition through several national music awards, including: Jay Prapti Music Awards 2080 – Best Music Video Director (Rang Kada) Epic Nepal Music Awards 2081 – Best Music Video Director (Aadat) Silver Music Awards 2082 – Best Music Video Director (Aafnai Swartha) Jyoti Films Music Awards 2082 – Best Music Video Director (Bayan) Roshan made his feature film directorial debut with Pratibairam, a Nepali horror-comedy film. The project represents years of determination and reflects his vision of creating original, audience-focused cinema. In addition to directing, he also contributed as a lyricist to the film. Committed to continuous growth, Roshan Das aims to bring fresh stories to Nepali cinema while expanding his work to international audiences. His journey from a self-taught creator to an award-winning director reflects his belief that passion, resilience, and hard work can overcome any obstacle.

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.