Indrajit Mijar

Deepak Kharel is a legendary figure in the Nepali music scene, celebrated for his soulful voice and deep connection to the lyrical beauty of modern Nepali songs. With a career spanning several decades, Kharel has not only witnessed the evolution of Nepali music but has also played a pivotal role in shaping it. He first rose to prominence in the 1980s and quickly became known for his melodious voice, classical training, and his ability to bring out raw emotion in every performance. His songs often explore themes of love, longing, heartbreak, and the beauty of life, striking a chord with audiences of all ages. Some of his most beloved and timeless tracks include “Timro Tyo Hasilo,” “Badal Banai Deu,” “Poornima Ko Raat,” “Ma Timro Saath Dinchhu,” and “Hera Na Hera Kancha.” These songs remain staples on Nepali radio and playlists, evoking nostalgia and admiration from generations of music lovers. Deepak Kharel has received numerous awards and honors for his contributions to Nepali music. He has worked closely with acclaimed lyricists and composers such as Ramesh, Bhairav Aryal, and Shanti Thatal, creating musical masterpieces that are still celebrated today. Beyond singing, Kharel has also contributed as a music mentor and has inspired many young artists to pursue music with sincerity and discipline. His influence is seen not only in his recordings but also in the way his voice and style have shaped the identity of modern Nepali playback singing. He remains active in the music community, performing on prestigious stages and continuing to be a revered name in the industry. His legacy is one of elegance, grace, and a lifelong dedication to the art of music.

Born to a musical family, it might have been expected of Shreya Sotang to become a singer like both her parents, however, it never came to her as she was growing up in the family. It happened after she completed her plus two levels. It had just come as a thought and she shared it with her parents Uday and Manila Sotang who helped her and supported her to bring out her own album. Although she used to listen to her parents’ songs while she was growing up, she never thought she would be recording a song of her own but she did and today we have a complete family of singers. To be a part of Uday and Manila’s family and to carry the legacy is definitely a tough job. But with determination, there could be nothing impossible and although she has an influential background when it comes to music, she tries not to use it but achieve her goals on her own. Uday and Manila Sotang are one of the most popular singer duos in Nepal and after the entry of Shreya Sotang in the music scenario, they have a complete family of singers.

Sangeeta Mukhiya Chochun is a talented Nepali singer known for her contribution to modern Nepali music. She has performed in various cultural events and programs of Nepal and international level. Many of her songs have won the hearts of the audience. Her music often mixes traditional, folk and classic Nepali elements with contemporary styles, making him a beloved figure in the Nepali music community.

Tsujil Karmacharya is a renowned name in the Nepali music industry. Born on 26 December, 1979, in a small village of Bhainse in Central Region of Nepal sharing his birthdays with some of the world famous musicians (Ulrich of Metallica and James Kottak of Scorpions), Tsujil is not only a singer but also a model, music composer and an engineer. He has various titles and professions added with his name and have gained popularity in short period of time because of his multi talented characteristic. He used to watch the cultural shows organized by Rapti Club, a local club, which really impressed him when he was a child. He was inspired by his uncle who used to perform with the club regularly and later, he started walking on the steps of his elder brother. He used to sing and record songs into a worn out tape-recorder, playing the flute and harmonica and pencil sketching, etc. became his hobbies and he took all opportunities he got of singing at his school’s cultural programs despite his shy nature. He picked up guitar for the first time at the age of 14. However, back then, guitars were not allowed in his hostel so in order to kill desperation, he tore a hard cover from an old notebook, shaped it into a guitar’s neck, drew lines to resemble fret boards in it and stapled it to give the feel of strings. This is how he learned his first few chords. Interesting, isn’t it?